Reporting on markets, museums, collections, wealth and the institutions shaping the art world — connected directly to RELICT’s verified registry.
The 57th Rencontres d'Arles draws 22,000 visitors, showcasing 47 exhibitions. Director Christoph Wiesner emphasizes complexity and attentiveness, centering voices historically marginalized by the Western canon.
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The Kunsthistorisches Museum reveals that 'Portrait of an Old Man', long in storage without firm attribution, is now identified as a work by Gian Lorenzo Bernini. The discovery highlights the importance of re-evaluating overlooked works.
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Turner’s epic seascape and Bearden’s collages reinterpret Homer’s poem, bridging myth and history. The artworks remain in major collections, from the National Gallery to a touring Smithsonian show.
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A preliminary report by Colombia's culture ministry finds damage to 40 protected sites and dozens more cultural assets across seven departments after the 10 August earthquake.
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The long-abandoned Edistone Hotel in Selma, Alabama, witness to 170 years of African American history, has been rescued by a non-profit focused on protecting Black historical sites.
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The founders of the Klesch Collection are funding a fellowship at London's Birkbeck for an early-career researcher exploring art history's intersection with AI and digital technologies.
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A new documentary, 'Handmade Future', explores economic and market challenges faced by traditional craftspeople across six countries.
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Artist Rina Banerjee discusses her Brooklyn studio, her sculptures' symbolic materials, and recent acquisitions and exhibitions.
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The Harry Ransom Center announces up to 50 funded fellowships for scholars, artists, and writers to conduct on-site archival research in 2027–2028. Deadline: Nov 6, 2026.
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Hyperallergic editors discuss standout national pavilions at the 2026 Venice Biennale, highlighting Ecuador's Indigenous-led storytelling and DRC's inaugural 'Simba Moto!' exhibition.
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Family offices were early investors in fusion energy, now nearing commercial viability. Their patient capital may soon yield returns as the sector matures.
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Hong Kong artist Jaffa Lam discusses her collaborative process, the role of art history and personal history, and the importance of exhibition location.
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Hyperallergic reviews Miles Greenberg's solo show at the Current in Stowe, Vermont, featuring performance videos 'TЯUTH' (2023) and 'LE MIROIR' (2025), which explore myth, ritual, and Black identity through durational performance.
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Princess Nouf bint Abdulaziz Al Saud founds Lift gallery in Riyadh's JAX cultural district, focusing on Saudi and regional artists.
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UK A-level art and design entries fall to lowest since 2010, prompting renewed calls to revitalise arts education.
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A guide on the Guggenheim Fellowship application process, noting low acceptance rates, significant time commitment, and 2026 award details for fine art and photography.
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Smithsonian regents may place the National Museum of the American Latino in the historic Arts and Industries Building, potentially bypassing congressional approval.
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The Armory Show will debut two museum acquisition prizes at its upcoming fair, with Pérez Art Museum Miami and the Bronx Museum acquiring works from the Focus and Presents sections.
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Invesco slashes fees 20% on Core Real Estate—USA fund to retain investors, offering discounted tender exit amid ongoing redemptions.
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The Wolf Kahn Foundation opens its first permanent home in New York City, housing the artist's archives. The space, open by appointment, precedes Kahn's centennial in 2027.
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Scions of the Peugeot family have built a substantial portfolio through a discreet investment group, according to a recent report.
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Artwork in U.S. estates faces federal estate and income tax issues, including transfer, custody, and sale risks that are often overlooked. This article outlines key planning considerations.
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NewEdge Wealth expands into Houston by hiring an AllianceBernstein team. The move underscores continued RIA growth and poaching of talent from major firms.
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Matthew Barney's new sculpture ZONE DEFENSE: Old Snowmass Parallax, installed at the AIR festival in Colorado, repurposes elements from his performances and films, using trompe l'oeil materials.
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