Reporting on markets, museums, collections, wealth and the institutions shaping the art world — connected directly to RELICT’s verified registry.
Hyperallergic editors discuss standout and disappointing national pavilions at the 2026 Venice Biennale, touching on censorship, political pressure, and curatorial choices.
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Visitors misidentified Olalekan Jeyifous's Walker Art Center solo as AI-generated, prompting the artist and museum to clarify his iterative digital process.
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Maya Lin's first public art in Texas, 'Floating Landscape,' will open at UT Austin in April 2027, featuring an interactive concrete structure with native plants and LED constellations.
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London's Southbank Centre will host 'Rock, Paper, Scissors', an exhibition of over 200 works by people in criminal justice settings, curated by young adults with experience of parental imprisonment.
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National Gallery of Iceland presents "echolalia," a smaller-scale Björk exhibition featuring installations, videos, and works with collaborators, offering a contrast to her 2015 MoMA show.
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The Indigenous Art Centre reports 111 works unaccounted for out of over 5,000 Indigenous artworks in Canada's federal collection, raising stewardship concerns.
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