Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
| Artwork | Sale date | House | Realized USD | Match |
|---|---|---|---|---|
| Portrait of a Man with Gray Hair 1810 · Oil on canvas | 1912-06-01 | — | $14,875.00 | 88% |
| Portrait of a Man with Gray Hair 1810 · Oil on canvas | 1912-04-30 | — | $1,389.00 | 88% |
Similarity score is descriptive evidence ranking, not a valuation model. Every row comes from the public-rights market boundary.
the sitter (1782-1822)
by inheritance to Sir Alexander Hope, Pinkie House, Scotland (sale: Sotheby's, London, 16 May, 1928,...
I. D. Levy (1930)
(Knoedler)
Jane Taft Ingalls [1874-1962], Cleveland, OH
David S. Ingalls, Sr. [1899-1985], Cleveland, OH
Francis W. Ingalls
the sitter (1782-1822) by inheritance to Sir Alexander Hope, Pinkie House, Scotland (sale: Sotheby's, London, 16 May, 1928, Lot B) I. D. Levy (1930) (Knoedler) Jane Taft Ingalls [1874-1962], Cleveland, OH David S. Ingalls, Sr. [1899-1985], Cleveland, OH Francis W. Ingalls The Cleveland Museum of Art, Cleveland, OH
Signs of Affection: Gifts Honoring the Museum's 75th Anniversary. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27, 1992-January 3, 1993). British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer). English Decorative Arts. The Cleveland Museum of Art, Cleveland, OH (1980).
Abraham Bloemaert (Dutch, 1566–1651) · 1585
Artist · 1244
Shitao (Chinese, 1642–1707) · 1642
Frans Pourbus (Flemish, 1569–1622) · 1611
Artist · 1555
Henry Raeburn created this likeness of fellow Edinburgh native Hugh Hope before Hope departed for India, where he worked as a civil servant for the renowned East India Company (a British joint-stock company founded in 1600 to trade in the Indian Ocean). This painting hung in the drawing room of Hope’s estate, Pinkie House in Scotland, until 1928. Although greatly influenced by his English predecessor Joshua Reynolds, Raeburn worked in a looser style, more like the work of his younger contemporary Thomas Lawrence. This portrait is painted directly on the canvas without any preliminary drawing, giving it an informal, spontaneous air.
Observed sales: 0 · Comparable Sales: 2 · Provenance: 8 · Exhibitions: 2.