Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Mrs. A. Dean Perry
Museum
The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
c. 1560
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?–1959
Estate of Breckinridge Long [1881–1958], Bowie, MD
1959–1962?
(Harry Burke Antiques, Philadelphia, PA)
1959?–1962
(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from...
1962–
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
Estate of Breckinridge Long [1881–1958], Bowie, MD (Harry Burke Antiques, Philadelphia, PA) (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Indian Gallery 242 Rotation – April-November 2018. The Cleveland Museum of Art (organizer) (April 2-November 18, 2018).
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Visual neighbours
Farmer Returning Home in Autumn
Yosa Buson (Japanese, 1716–1783) · 1781
Allegorical Figure
Bernardo Strozzi (Italian, 1581?-1644) · 1631
Two Poplars in the Alpilles near Saint-Rémy
Vincent van Gogh (Dutch, 1853–1890) · 1889
Kasuga Deer Mandala
Unknown artist · 1336
Portrait of Hugh Hope
Henry Raeburn (Scottish, 1756–1823) · 1805
Sourced Overview Evidence
The story continues with a ruse to allow the Brahman and the princess to escape the king’s son and live happily ever after. The magician transformed the lovers into men, so they were able to leave the palace unrecognized. In order to garner a fortune on which they could support themselves, the magician approached the king in the guise of a Brahman to reclaim the woman he had entrusted to the harem and who he said was his daughter-in-law. When the king stated that she has disappeared, the magician in the form of a Brahman acted as though he would stab himself to death. The king assuaged him by paying a large sum of money as compensation for losing the woman. A servant brings a blue-and-white porcelain dish full of gold coins.<br><br>A different artist painted this page without referencing the appearance of either the king or the magician in the guise of a Brahman from the previous page.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 4 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line