Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
Saint Jerome
c. 1638–40
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public1961–present
The Cleveland Museum of Art, Cleveland, Ohio.
1960–1961
(F. Kleinberger & Co., New York, sold to the Cleveland Museum of Art).
until 1960
(Alessandro Morandotti, Zurich, sold to F. Kleinberger in 1960).
until c. 1960?
Private collection, Italy, probably consigned to Alessandro Morandotti.
Source provenance text
The Cleveland Museum of Art, Cleveland, Ohio. (F. Kleinberger & Co., New York, sold to the Cleveland Museum of Art). (Alessandro Morandotti, Zurich, sold to F. Kleinberger in 1960). Private collection, Italy, probably consigned to Alessandro Morandotti.
The Cleveland Museum of ArtConfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). El Greco to Goya, A Loan Exhibition of Spanish Paintings of the Seventeenth and Eighteenth Centuries. Indianapolis Museum of Art at Newfields, Indianapolis, IN (organizer) (February 10-March 24, 1963); Rhode Island School of Design, Providence, RI (February 10-March 24, 1963). 700 Years of Spanish Art. Cummer Museum of Art, Jacksonville, FL (organizer) (October 28-November 30, 1965). Baroque Imagery. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 1984-January 6, 1985). Caravaggio and His Followers, Cleveland Museum of Art, Cleveland, Ohio (October 29, 1971–January 2, 1972). Fort Worth, Texas, The Kimbell Art Museum, 1982–83: "The Tangible World of the Spirit: The Paintings of Jusepe de Ribers," repr. p. 128, no. 29, p. 199.
The Cleveland Museum of ArtConfidence 100%
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Sourced Overview Evidence
Saint Jerome (about ad 347–420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study, Ribera represents him here as a penitent who withdrew to the desert, beating his chest with a stone to emulate Christ’s suffering and contemplating a skull symbolizing human vanity. Working in Naples, Ribera enthusiastically adapted Caravaggio’s characteristic use of light and dark and naturalistic models.
The Cleveland Museum of ArtConfidence 100%
Evidence state
Observed sales: 0 · Comparable Sales: 0 · Provenance: 4 · Exhibitions: 4.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line