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Portrait of a Woman, Possibly a Novice of San Secondo
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Portrait of a Woman, Possibly a Novice of San Secondo

c. 1490
Jacometto Veneziano (Italian, 1497) visual detail
ArtistJacometto Veneziano (Italian, 1497)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Baron Rochdale, London (1924);

Provenance event

(London sale 1948));

Provenance event

Kenneth Clark, Saltwood (1948, 1975);

Provenance event

(Eugene V. Thaw), sold to the Cleveland Museum of Art, 1976.

Source provenance text

Baron Rochdale, London (1924); (London sale 1948)); Kenneth Clark, Saltwood (1948, 1975); (Eugene V. Thaw), sold to the Cleveland Museum of Art, 1976.

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Year in Review, 1976. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-March 6, 1977). London, Burlington Fine Arts Club, 1924 - 1925: Winter Exhibition, no. 8 (lent by Lord Rochdale, K.C.B., under "unknown artists"). Birmingham Art Gallery, August 18 - October 2, 1955: Italian Art from the thirteenth to the seventeenth century, no. 52 London, Royal Academy, January 2 - March 6, 1960: Italian Art in Britain, cat no. 352. Stockholm, National Museum, 1962 -1963: Konstnes Venedig, cat. no. 69 CMA, February 1977: Year in Review, cat. no. 43, illus. in color (cover)

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Related public works

Visual neighbours

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Sourced Overview Evidence

Scholars have recently speculated that this work does not actually depict a nun, although it has been described as such since 1543. A beautiful young woman presented as saintly, a regular occurrence, the sitter may be the wife or daughter of Alvise Contarini. Her attire, particularly the head garb, may be secular, while some scholars consider it to be Benedictine or Dominican. The San Secondo convent was reserved for daughters of the wealthiest Venetians and conventions of dress were fairly loose until 1515 when strict reforms were enforced by religious and political authorities in Venice.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line