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Wooded Landscape with Watermill
Wooded Landscape with Watermill detail Wooded Landscape with Watermill detail
Mia
Museum

Wooded Landscape with Watermill

c. 1665
Meindert Hobbema visual detail
ArtistMeindert Hobbema
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price $28,000 Dealer sale · Jul 17, 1941
+314.8% vs previous observed sale
Matched price history · normalized USD · Foundry provisional
1941 · $6,7501941 · $28,000
$7K1941
$28K1941
Last known price$28,0002 matched observed sales
Observed median$17,375
Observed sales2
Artist index23.2
1941-07-17Dealer sale$28,000.00
1941-05-22Dealer purchase$6,750.00
Artist index contextLatest public build 23.2 · base 100 · n=2.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
ArtworkSale dateHouseRealized USDMatch
A Farm in the Sunlight
1668 · oil on canvas
1924-12-15—$108,813.9380%
Village among Trees
1665 · Oil on oak panel
1902-01-06—$75,000.0060%
Village with Water Mill among Trees
Year n/a · oil paint, canvas
1911-11-01—$135,000.0035%

Similarity score is descriptive evidence ranking, not a valuation model. Every row comes from the public-rights market boundary.

Provenance

Public
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Source provenance text

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MiaConfidence 100%

Exhibitions

Public
No rights-cleared exhibition history is published.
Related public works

Catalog neighbours

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Sourced Overview Evidence

The enthusiastic sportsman in the bright red coat draws the eye and adds a narrative to the landscape: Has he interrupted his ride to take an opportune shot? Yet he wasn’t in the original painting. He was added later—by another painter, no less—between 1810 and 1828. An 1809 sale catalogue describes the painting without him: “The chef d’oeuvre of this celebrated painter, a beautiful landscape with a water mill—the figures and cattle are judiciously introduced, with appropriate spirit of pencil, by [Nicholas] Berchem.” In 1828, another estate-sale catalogue notes his appearance: “…in the foreground, on the right, a sportsman dressed in red is shooting at wild fowl….” It’s impossible to know why he was painted in. But sporting subjects were extremely popular in the early 1800s, particularly in England, and the painting’s owner may have requested the addition to increase demand (and therefore its price) at auction.

MiaConfidence 100%

Evidence state

Observed sales: 2 · Comparable Sales: 3 · Provenance: 1 · Exhibitions: 0.

Short DescriptionCredit LineProvenance Text