Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Capo de Lista family collection (?) (Padua, Italy)
Barbini-Breganze coll., Venice (1847) cat. no. 204;
Städelsches Kunstinstitut (Frankfurt am Main, Germany) (inv. no. 927), 1847 to 1882;
sold, Paris, May 5, 1882, no. 30;
Charles Sedelmeyer (Paris, France);
Karl von der Heydt (Berlin, Germany) (1906);
A.B. Antik (Stockholm, Sweden)
Capo de Lista family collection (?) (Padua, Italy) Barbini-Breganze coll., Venice (1847) cat. no. 204; Städelsches Kunstinstitut (Frankfurt am Main, Germany) (inv. no. 927), 1847 to 1882; sold, Paris, May 5, 1882, no. 30; Charles Sedelmeyer (Paris, France); Karl von der Heydt (Berlin, Germany) (1906); A.B. Antik (Stockholm, Sweden) consigned to Knoedler & Co. (New York, and London, England, 1919); sold to Elisabeth Severance Prentiss (Cleveland, Ohio), in exchange for John Hoppner, Portrait of Mrs. Jermingham and Herman Kricheldorf, Still-Life with Lobster, 1919, upon her death, held in trust by the estate Estate of Elisabeth Severance Prentiss, by bequest to the Cleveland Museum of Art, 1944.
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Dutch Painting, The Golden Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 27, 1955). Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991). Rembrandt: His Teachers and Pupils. Kawamura Memorial Museum of Art, Sakura City, Japan (organizer) (June 13-August 2, 1992). Rembrandt Rembrandt. Kyoto National Museum, Kyoto, Japan (organizer) (November 3, 2002-January 13, 2003). Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007). Rembrandt in America. The Cleveland Museum of Art, Cleveland, OH (February 19-May 28, 2012); Minneapolis Institute of Art, Minneapolis, MN (June 24-September 16, 2012). Exhibition of Hals and Rembrandt, Los Angeles County Museum, Los Angeles, CA (November 1947- January 1948). Old Masters, Dayton Art Institute, Dayton, OH March-April 1948). Haggin Memorial Galleries, Stockton, California, 1948. Benefit Exhibition of Paintings by Rembrandt, Wildenstein & Co., 1950. Masterpiece Series, Akron Art Institute, April 14- May 17, 1953. Man and His Years, Baltimore Museum of Art, 1954, p. 15, no. 81. Chiba, Japan, Kawamura Memorial Museum of Art, 1992: cat. no. ?. Three Hundred Paintings by Old Masters. Sedelmeyer Gallery, Paris, France (1898). Austellung von Weken Alter Kunst aus dem Privatbesitz der Mitglieder des K. Friderich Museums-- Vereins, Kaiser Friedrich Museum, Berlin, Germany (January 27-March 4, 1906).

Edmund C. Tarbell (American, 1862–1938) · 1901

Jeptha Homer Wade (American, 1811–1890) · 1837

Jan Gossaert (Flemish, c. 1475/78–1532) · 1531

Adriaen Coorte (Dutch, 1660–1707) · 1701

Gerard ter Borch (Dutch, 1617–1681) · 1650
At the age of 25, Rembrandt moved from his hometown of Leiden to the bustling city of Amsterdam. Within a few years he had become one of the city’s most successful portrait painters, creating remarkably vivid likenesses that seemed to express the personality and soul of the sitter. Here, Rembrandt used smooth, fluid brushstrokes to recreate the soft texture of the woman’s skin. In contrast, thicker, more textured strokes draw attention to the lavish display of her lace collar and gold jewelry—details sure to please a wealthy client. The extraordinary demand at that time for a portrait by Rembrandt meant that in many cases (including, probably, this painting) he called upon assistants to help complete the work.
0 observed sales · 0 comparable sales · 10 structured provenance events · 8 structured exhibitions.