Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Private collection, Madrid; [Wildenstein & Co., New York, 1929];
Cranbrook Academy of Art, Bloomfield Hills, Michigan, 1944, on long-term loan to The Detroit Institu...
Private collection, Madrid; [Wildenstein & Co., New York, 1929]; Cranbrook Academy of Art, Bloomfield Hills, Michigan, 1944, on long-term loan to The Detroit Institute of Arts since 1950 (sold, Parke-Bernet, New York, May 18, 1972, no. 73, to the Cleveland Museum of Art).
Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Man, Myth, and Sensual Pleasures: Jan Gossaert's Renaissance. The Metropolitan Museum of Art, New York, NY (organizer) (October 5, 2010-January 17, 2011); National Gallery, London, London, United Kingdom of Great Britain and Northern Ireland (February 23-May 30, 2011). Los Angeles Museum, 1933: "A Collection of European Paintings from the Early Renaissance to the Modernists," cat. no. 9, illus. Toledo(Ohio) Museum of Art, 1935: "French and Flemish Primitives," cat. no. 16, illus. New York, M Knoedler and Co., 1942: "French and Flemish Primitives, " illus. opp. p. 84. CMA, March 1973: " Year in Review 1972," cat.: Bull., LX (March 1973), CMA 1973: "Dutch Art and Life in the Seventeenth Century" The Metropolitan Museum of Art (10/5/2010 - 1/17/2011) and the National Gallery, London (2/23/2011 - 5/30/2011): "Man, Myth, and Sensual Pleasures: Jan Gossaert's Renaissance"

John Sloan (American, 1871–1951) · 1912

Dirck van Baburen (Dutch, c. 1595–1624) · 1623

Rembrandt van Rijn (Dutch, 1606–1669) · 1630

Rockwell Kent (American, 1882–1971) · 1907

Unknown artist · 1225
Among the first northern European artists to study in Rome, Gossaert returned north to serve in various German and Flemish courts, incorporating Italian Renaissance ideas. Gossaert also painted the frame, including the Latin inscription: "Mother, may your contemplation be our reconciliation." The patron is likely Mencía de Mendoza, a Spanish noblewoman, one of the most important art collectors and intellectuals of the early 1500s.
0 observed sales · 0 comparable sales · 2 structured provenance events · 3 structured exhibitions.