Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Bequest of John L. Severance
Museum
Portrait of Mary Anne Jolliffe
after 1788
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Publicafter 1788-1824
the sitter, Mary Anne Jolliffe, née Twyford [1756-1802], and Thomas Samuel Jolliffe [1746-1824], Amm...
Provenance
William Jolliffe, Esq., Ammerdown House, Somerset, by descent to Lord Hylton
?-1911
Lord Hylton, Ammerdown Park, Somerset, sold to A.G. Temple
Provenance
Mr. A.G. Temple
by 1912
(Arthur J. Sulley, London)
1912-?
(M. Knoedler & Co., New York, sold to John L. Severance)
?-1936
John L. Severance [1863-1936], Cleveland, OH, by bequest to the Cleveland Museum of Art
Source provenance text
the sitter, Mary Anne Jolliffe, née Twyford [1756-1802], and Thomas Samuel Jolliffe [1746-1824], Ammerdown House, Somerset, by descent to William Jolliffe William Jolliffe, Esq., Ammerdown House, Somerset, by descent to Lord Hylton Lord Hylton, Ammerdown Park, Somerset, sold to A.G. Temple Mr. A.G. Temple (Arthur J. Sulley, London) (M. Knoedler & Co., New York, sold to John L. Severance) John L. Severance [1863-1936], Cleveland, OH, by bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of ArtConfidence 100%
Exhibitions
PublicSource exhibition text
Exhibition of the John L. Severance Collection. The Cleveland Museum of Art, Cleveland, OH (November 12, 1942-March 14, 1943). Anglo-Saxon Tradition. Kenyon College, Gambier, OH (October 1-15, 1946). Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer). Exhibition of Paintings by Thomas Gainsborough, R.A., and J. M. W Turner. R.A., M. Knoedler & Co., New York, NY (January 14 - January 31, 1914). Twentieth Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (1936).
The Cleveland Museum of ArtConfidence 100%
Related public works
Explore catalog →Visual neighbours
The Annunciation
Paolo Veronese (Italian, 1528–1588) · 1575
Marie-Yolande de Fitz-James
Henri Fantin-Latour (French, 1836–1904) · 1867
Portrait of Priest Dazhi (1048–1116), Master of Law
Liu Tao (Chinese, late 1000s–early 1100s) · 1100
Xu Jingyang Moving His Family
Cui Zizhong (Chinese, 1574–1644) · 1644
The Red Kerchief
Claude Monet (French, 1840–1926) · 1868
Sourced Overview Evidence
The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits. He captures the beauty of his sitter with soft, flickering brushstrokes, detailing her frilly collar and impressive hairstyle, curled and powdered according to the current style. This portrait originally hung alongside that of her husband Thomas in the drawing room of the couple’s home, Ammerdown House in Somerset, where Thomas’s portrait still hangs today.
The Cleveland Museum of ArtConfidence 100%
Evidence state
Observed sales: 0 · Comparable Sales: 0 · Provenance: 8 · Exhibitions: 4.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line