Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Count Gyula Andrássy, Budapest
Countess F. K., London (granddaughter of Count Gyula Andrássy)
Franz Szabó, London
Judith Szabó, London
Count Gyula Andrássy, Budapest;
Countess F. K., London (granddaughter of Count Gyula Andrássy);
Franz Szabó, London;
Count Gyula Andrássy, Budapest Countess F. K., London (granddaughter of Count Gyula Andrássy) Franz Szabó, London Judith Szabó, London Count Gyula Andrássy, Budapest; Countess F. K., London (granddaughter of Count Gyula Andrássy); Franz Szabó, London; Judith Szabó, London, sold to the Cleveland Museum of Art, 1963.
Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964). Central Europe: 1600-1800. John and Mable Ringling Museum of Art, Sarasota, FL (organizer) (January 27-February 27, 1972). German and Austrian Painting of the Eighteenth Century. The David and Alfred Smart Museum of Art, Chicago, IL (organizer) (April 20-June 11, 1978). Art in the Age of Mozart. Allen Memorial Art Museum, Oberlin, OH (organizer) (October 29-December 15, 1991).

Frédéric Bazille (French, 1841–1870) · 1867

James Ensor (Belgian, 1860–1949) · 1885

Unknown artist · 1800

Unknown artist · 1336

Jean-Baptiste Oudry (French, 1686–1755) · 1742
This loosely painted sketch is the preliminary design for an altarpiece in the Church of Saint Ulrich, Vienna. Mary and Joseph have brought the infant Jesus to the temple to be inducted into the Jewish faith; the aged priest Simeon cradles the infant in his arms, turning his gaze to heaven as he realizes that he is holding the Son of God. Strong contrasts of light and shadow underscore the drama of the moment. <br><br>The frame is not original to this painting, but was made by an Austrian craftsman in the mid-1700s. Its florid style suits Maulbertsch’s flickering brushwork, and reflects the tradition of wood sculpture from Central Europe seen in other objects in the CMA's collection.
0 observed sales · 0 comparable sales · 8 structured provenance events · 4 structured exhibitions.