Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · John L. Severance Fund
Museum
Shakyamuni with two attendants
1300s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?–1982
(Fugendo Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)
1982–
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
(Fugendo Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
The Year in Review for 1982. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 6, 1983). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Masterpieces of Goryeo Buddhist Paintings. National Museum of Korea, Seoul, Korea (Republic of) (organizer) (October 11-November 21, 2010). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 23, 1990-January 13, 1991).
The Cleveland Museum of Artconfidence 100%
Related public works
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Sourced Overview Evidence
The historic Buddha Shakyamuni is seated on an elaborately decorated pedestal and flanked by two attendants making gestures of devotion. The unknown artist used gold and deeply hued pigments to depict the luxurious fabrics, particularly the golden medallions of swirling dragons and clouds on the Buddha’s red robe. <br><br>The painting itself is mounted in a Buddhist style with two tiers of fine silk borders. The inner border of gold brocade on a cream background surrounds the painting. The outer border is yellow silk; decorative silk strips, called <em>futai</em>, dangle from the top hanging bar.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 4 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line