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Ruins of an Ancient City
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Ruins of an Ancient City

c. 1810–20
John Martin (British, 1789–1854) visual detail
ArtistJohn Martin (British, 1789–1854)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

William Ropner, 1864-1947 (West Hartlepool, England), by 1898, when it was withdrawn from a Christie...

Provenance event

Privat collection (sold, Christie's, London, 24 November 1978, lot 160) as An Extensive Classical La...

Provenance event

Hazlitt, Gooden & Fox, (London, England), sold to the Cleveland Museum of Art, 1981.

Source provenance text

William Ropner, 1864-1947 (West Hartlepool, England), by 1898, when it was withdrawn from a Christie's sale. Privat collection (sold, Christie's, London, 24 November 1978, lot 160) as An Extensive Classical Landscape with a Ruined City, ca. 1812-15, for £6,000 to Hazlitt, Gooden & Fox. Hazlitt, Gooden & Fox, (London, England), sold to the Cleveland Museum of Art, 1981.

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

The Year in Review for 1981. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Artlens Exhibition 2017. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24, 2017-May 29, 2019).

The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence

The painting depicts an imagined scene of a ruined ancient city bathed in the nostalgic glow of twilight. The artist's detailed, almost archeological, interest in these Greek or Roman buildings is characteristic of neoclassicism, although the composition—which plunges suddenly from the foreground into a deep valley—and dramatic lighting are typical of Romantic painting.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line