Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · John L. Severance Fund
Museum
Landscape in the Style of Huang Gongwang
1649
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Pei Jingfu 裴景福 [1854–1926]
Provenance event
Low Chuck Tiew 劉作籌 [1911–1993]
?–1970
Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art
1970–
The Cleveland Museum of Art. Cleveland, OH
Source provenance text
Pei Jingfu 裴景福 [1854–1926] Low Chuck Tiew 劉作籌 [1911–1993] Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art The Cleveland Museum of Art. Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review: 1970. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-March 7, 1971). The Restless Landscape: Chinese Painting of the Late Ming Period. University of California, Berkeley. University Art Museum, Berkeley, CA (organizer) (November 9, 1971-January 2, 1972); Fogg Art Museum/Harvard University, Cambridge, MA (February 11-April 2, 1972). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Restless Landscape. University Art Museum, Berkeley, CA (November 9, 1971-January 2, 1972); Fogg Art Museum, Harvard University, Cambridge, MA (February 12-April 2, 1972). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
A sweeping vista of energized mountains, hills, small islands, sand bars, and rivers, this painting retains a simple coherence of ideas and images. Its inspiration comes from Huang Gongwang (1269–1354), the great master of the Yuan dynasty, whose famous <em>Dwelling in the Fuchun Mountains</em> has a similar structure, but is much more diverse and varied in its composition. Here, the basic elements of trees, rocks, and hills are repeated in differing scales at varying distances, contributing to the essential rhythm of the painting. Born in Huating (Shanghai), Gu Tianzhi inherited a tradition of painting that was molded under the guiding light of Dong Qichang (1555–1636), an eminent theoretician of the late Ming dynasty and the spokesman for the orthodox heritage that ruled Chinese painting for more than 300 years.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 4 structured provenance events · 3 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line