Crossing at Sano
The Cleveland Museum of Art · John L. Severance Fund
Museum

Crossing at Sano

c. 1600–1640
Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640) visual detail
ArtistTawaraya Sōtatsu (Japanese, c. 1570–c. 1640)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?-1949

(Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art)

1949-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Japanese Decorative Style. The Cleveland Museum of Art (August 30-October 15, 1961); The Art Institute of Chicago, Chicago, IL (November 9-December 17, 1961). Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Early Rinpa (Japanese gallery rotation) 235. The Cleveland Museum of Art (organizer) (July 23, 2020-January 17, 2021).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Like many paintings from the Sōtatsu studio, a Kyoto-based atelier that ran the shop Tawaraya, this one is done in ink, mineral colors, and gold, and is formally reminiscent of 12th- and 13th-century paintings associated with the Japanese aristocracy. It depicts a man on horseback with two attendants crossing a bridge that once spanned the Kino River in Sano in eastern Wakayama Prefecture. The composition was inspired by a poem by Fujiwara no Teika (1162–1241) that translates as follows: <br><br>I stop my horse, but there is no shelter <br>as I brush off my sleeves <br>at Sano Crossing <br>in the evening snow.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 5 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line