Capri
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Capri

1869
William Stanley Haseltine (American, 1835–1900) visual detail
ArtistWilliam Stanley Haseltine (American, 1835–1900)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

New York, Sotheby Parke Bernet Inc, 29 September 1973, no. 86; Bernard & S. Dean Levy, Inc., New Yor...

1975

(Levy Gallery, New York, NY, sold to the Cleveland Museum of Art)

1975–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

New York, Sotheby Parke Bernet Inc, 29 September 1973, no. 86; Bernard & S. Dean Levy, Inc., New York (Levy Gallery, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

American Expatriate Painters of the Late Nineteenth Century. Dayton Art Institute, Dayton, OH (organizer) (December 4, 1976-January 16, 1977); Pennsylvania Academy of the Fine Arts, Philadelphia, PA (February 4-March 20, 1977). American Light: The Luminist Movement, 1850-1875. National Gallery of Art, Washington, DC (organizer) (co-organizer) (February 10-June 15, 1980). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Cleveland, OH, Cleveland Museum of Art, 1974: Art for Collectors (20 November - 18 December 1974); no catalogue. Düsseldorf, West Germany, Kunstmuseum Düsseldorf, The Hudson and the Rhine: Die Amerikanische Malerkolonie in Düsseldorf im 19.Jahrhundert (4 April - 16 May 1976); traveled to Bielefeld, Kunsthalle (23 May - 20 June 1976); illus. cat. no. 37, listed p. 48. Dayton, The Dayton Art Institute, American Expatriate Painters of the Late Nineteenth Century (4 December 1976 - 16 January 1977); traveled to Philadelphia, Pennsylvania Academy of Fine Arts (4 February - 20 March 1977); traveled to Los Angeles, Los Angeles County Museum of Art (12 April - 29 May 1977); pp. 104-105, illus. cat. no. 19, p. 104. Washington, DC, National Gallery of Art, American Light: The Luminist Movement, 1850-1875 (10 February - 15 June 1980), illus. cat. no. 17, p. 28, included in chapter entitled "On Defining Luminism," by Barbara Novak;". Cleveland, OH, Cleveland Museum of Art, Visions of Landscape: East and West (17 February - 21 March 1982). Boston, MA, Museum of Fine Arts, The Lure of Italy: American Artists and the Italian Experience, 1760-1914 (16 September - 13 December 1992); traveled to Cleveland, OH, The Cleveland Museum of Art (3 February - 11 April 1993); traveled to Houston, TX, Museum of Fine Arts (23 May - 8 August 1993); illus. cat. no. 61, p. 295.

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career. Best known for his scenes of Maine and Massachusetts shorelines, Haseltine based this painting on volcanic rocks from the uninhabited eastern end of Capri, an island off the southwestern coast of Italy.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 3 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line