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Calligraphy (verso)
The Cleveland Museum of Art · Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Museum

Calligraphy (verso)

c. 1640–60

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

early 20th century - Collection of Jacob Goldschmidt (1882-1955), Berlin and New York

Provenance event

September, 1966 - Olsen Foundation, Bridgeport, Conn.; Acquired from teh Olsen Foundation

Source provenance text

early 20th century - Collection of Jacob Goldschmidt (1882-1955), Berlin and New York September, 1966 - Olsen Foundation, Bridgeport, Conn.; Acquired from teh Olsen Foundation

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Indian Gallery 242b Rotation – November 2016. The Cleveland Museum of Art (organizer) (November 7, 2016-April 10, 2017).

The Cleveland Museum of Artconfidence 100%
Related public works

Catalog neighbours

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Sourced Overview Evidence

The text of the poem praises the season of spring, with mystical undertones. The Persian verses are written from right to left in the cursive form of Arabic script known as nasta‘liq. "It is springtime friends! Time to nurse the carnal wants: Wine, a minstrel, a pretty face, a secluded corner in a garden. What would I have done given my lack of means, If my heart did not have a cure for searing longings? My heart derives from the bounteous Sea of Compassion Its self-abnegating otherworldliness, an ever-radiant night glowing gem." The poem may be related to the painting of the African musician on the other side, subtly perpetuating the stereotypical association of African men with lustful desires, music, and dance.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line