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Tall Bamboo and Distant Mountains, after Wang Meng
The Cleveland Museum of Art · John L. Severance Fund
Museum

Tall Bamboo and Distant Mountains, after Wang Meng

1694
Wang Hui (Chinese, 1632–1717) visual detail
ArtistWang Hui (Chinese, 1632–1717)
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Market Intelligence

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Public evidence
Last known price—0 matched observed sales
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Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

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Provenance

Public
by 1909–?

Pang Yuanji 龐元濟 [1864–1949]

?–1953

(Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art)

1953–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Pang Yuanji 龐元濟 [1864–1949] (Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Six Dynasties of Chinese Painting Part 2. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10-September 1, 2024). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 16, 1998-January 22, 1999). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (April 28-August 8, 2000). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (January 15-April 22, 2002).

The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence

Wang Hui studied paintings by earlier masters and digested their styles with unceasing virtuosity. He had such enduring affection for a landscape by Wang Meng 王蒙 (about 1308–85) that between 1686 and 1712, he made several copies, like this example. One of his compositional transformations here was moving the scholar from the pavilion directly into the landscape by the stream. <br><br>His faithful copying also included inscriptions. Wang Meng had written that he was trying to resuscitate the style of an earlier artist, Wen Tong (1018–1079); therefore, Wang Hui sought to revive both Wang Meng and Wen Tong.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 4 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line