Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum
Portrait of a Man
c. 1480–1500
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public-1963
Frederick Mont, New York, NY, sold to the Cleveland Museum of Art
1963-
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
Frederick Mont, New York, NY, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964). Treasures of Medieval France. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1966-January 29, 1967). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Visual neighbours
The Bird's Nest Patriarch
Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640) · 1600
Esther, Ahasuerus, and Haman
Jan Steen (Dutch, 1626–1679) · 1663
Prince and ascetics, from the Late Shah Jahan Album
Govardhan (Indian, active c.1596–1645) · 1625
Tall Bamboo and Distant Mountains, after Wang Meng
Wang Hui (Chinese, 1632–1717) · 1694
Portrait of Renoir
Frédéric Bazille (French, 1841–1870) · 1867
Sourced Overview Evidence
Although the subject of this portrait wears rich clothing and a sword, nothing specifically associates him with aristocracy. Instead he may have been a wealthy member of the middle class. During the 1400s, portraiture became increasingly popular with prosperous merchants and tradesmen who imitated the portraits commissioned by the dukes of Burgundy and members of their court. The artist is equally mysterious and unidentified. The highly refined technique of oil painting suggests a familiarity with Netherlandish art, and the dark palette and clothing allude to Burgundian portraiture. However, the clothing and facial type relate more to French traditions. The artist may have hailed from France or the Low Countries, a region with a long artistic association with the Valois dukes of Burgundy who ruled the Netherlands in the late 1300s and 1400s.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 3 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line