Virgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari; Christ Crucified with the Virgin and Saint John the Evangelist

The Cleveland Museum of Art · Gift of Mrs. B. P. Bole, Mr. and Mrs. Guerdon S. Holden, Mrs. Windsor T. White, and the L. E. Holden Fund

Museum

Virgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari; Christ Crucified with the Virgin and Saint John the Evangelist

1400s

艺术家Sano di Pietro (Italian, 1406–1481)

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材料与技法: tempera and gold on wood
尺寸: Image: 46 x 21.4 cm (18 1/8 x 8 7/16 in.); Framed: 58.2 x 28 x 4.8 cm (22 15/16 x 11 x 1 7/8 in.)
分类: Painting
风格: MED - Medieval Art
来源: Italy, Siena
机构: The Cleveland Museum of Art
入账: Gift of Mrs. B. P. Bole, Mr. and Mrs. Guerdon S. Holden, Mrs. Windsor T. White, and the L. E. Holden Fund

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来源与流传记录

公开

来源与流传记录

Federico Ione, Siena; (Durlacher, New York, 1924)

来源传承文本

Federico Ione, Siena; (Durlacher, New York, 1924)

The Cleveland Museum of Art可信度 100%

展览

公开

The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition

Gallery One 2012

Gothic Art 1360-1440

Object in Focus: 15th Century Sienese Paintings: A Question of Forgery

来源展览文本

The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Gothic Art 1360-1440. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 6-September 15, 1963). Object in Focus: 15th Century Sienese Paintings: A Question of Forgery. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-May 11, 2003). Gallery One 2012. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2012-March 5, 2017). Cleveland, Ohio: The Cleveland Museum of Art; March 11- May 11, 2003. " Object in Focus: 15th Century Sienese Paintings: A Question of Forgery".

The Cleveland Museum of Art可信度 100%

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有来源的概览佐证资料

The artist covered the sides and reverse of this panel with a thin layer of gesso (a type of plaster), allowing the texture of the rough wood to remain visible. He then painted it to resemble porphyry, a beautiful and valuable stone.

The Cleveland Museum of Art可信度 100%

证据状态

观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 1 · 展览: 4.

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