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同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
Thomas Butts [1757 - 1845], London, by descent to his son, Thomas Butts, Jr.
Thomas Butts, Jr. [died 1862], London
William Michael Rossetti [1829-1919], London
William Bell Scott [1811-1890], consigned to sale at Sotheby's, London
(Sotheby's, London, July 14, 1892, no. 238, sold to Quaritch)
(Quaritch, sold to E.H. van Ingen for Mrs. William Emerson)
Mrs. William Emerson, consigned to sale at Sotheby's, London
Thomas Butts [1757 - 1845], London, by descent to his son, Thomas Butts, Jr. Thomas Butts, Jr. [died 1862], London William Michael Rossetti [1829-1919], London William Bell Scott [1811-1890], consigned to sale at Sotheby's, London (Sotheby's, London, July 14, 1892, no. 238, sold to Quaritch) (Quaritch, sold to E.H. van Ingen for Mrs. William Emerson) Mrs. William Emerson, consigned to sale at Sotheby's, London (Sotheby's London, May 19, 1958, no.12, bought by Agnew for Lady Melchett) Lady Melchett [1928-], sold at Christie's, London (Christie's London, November 9, 1971, no. 71, bought by Piccadilly Gallery) (Piccadilly Gallery, London, sold to Galleria Galatea) (Galleria Galatea, Turin, sold to private collector, Milan) private collector, Milan (Ben Elwes Fine Art, London, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer). The Works of William Blake. Burlington Fine Arts Club, London, United Kingdom (1876). International Exhibition of Industry, Science and Art: Pictures of Works of Art. The Meadows, Edinburgh, Scotland (May 6 – Oct 30, 1886). Eighteenth Century English Paintings. Fogg Art Museum, Cambridge, MA. (May 5 –May 19, 1930). William Blake. Philadelphia Museum of Art, Philadelphia, PA (1939).

Sano di Pietro (Italian, 1406–1481) · 1400

Xie Shichen (Chinese, 1487–after 1567) · 1542

艺术家 · 1454

Zhao Qi (Chinese, active early 1500s) · 1368

艺术家 · 1336
The energy and awe with which the evangelist Saint Matthew responds to the angel presenting the divinely inspired text echoes William Blake’s attitude toward artistic inspiration. From childhood Blake experienced visions that are reflected in the otherworldliness of his work. While Blake was not embraced by the fine art establishment, a small group of patrons believed in his genius and commissioned works in which his unusual visions had free rein.
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