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(Hsien-chi Tseng 曾憲七 [1919–2000], Boston, MA and New Hampshire, sold to the Cleveland Museum of A...
The Cleveland Museum of Art, Cleveland, OH
(Hsien-chi Tseng 曾憲七 [1919–2000], Boston, MA and New Hampshire, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 242). The Cleveland Museum of art, Cleveland, OH (January 7-July 7, 2015).
Little is known about Tao Hong who settled in Nanking in the latter part of his life. His son was a friend of the <br>leading Nanjing school artist Gong Xian (on display nearby). When the Ming dynasty collapsed in 1644, Tao joined the loyalist resistance in Yunnan province. By 1645 the Manchu invaders had defeated the Yunnanese forces, prompting Tao to flee to Burma, where he died shortly thereafter. Only five of Tao Hong’s works are known to exist, of which this painting is the largest.
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