Operating on Guan Yu's Arm
The Cleveland Museum of Art · Kelvin Smith Fund
Museum

Operating on Guan Yu's Arm

1840s
Katsushika Ōi (Japanese, c. 1800-after 1857) visual detail
ArtisteKatsushika Ōi (Japanese, c. 1800-after 1857)
Voir l’artiste →

Analyse de marché

Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.

Preuves publiques
Dernier prix connu—0 matched observed sales
Médiane observée—
Ventes observées0
Indice d’artiste—
Aucune vente observée normalisée aux droits vérifiés n’est liée à cette œuvre. Aucun historique de prix artificiel n’est affiché.
Indice d’artiste indisponibleAucun calcul public d’indice d’artiste terminé.Le contexte d’un artiste n’est pas une estimation d’œuvre.

Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves
Aucune vente comparable aux droits publics ne satisfait les critères actuels. RELICT ne remplit pas le tableau avec des faits réservés à la recherche ou sous licence uniquement.

Provenance

Public
before 1998

Yamagata Hatsutaro

October 27, 1998

(Christie's New York, "An Important Collection of Japanese Ukiyo-e Paintings," 27 October 1998, lot...

1998–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

Yamagata Hatsutaro (Christie's New York, "An Important Collection of Japanese Ukiyo-e Paintings," 27 October 1998, lot 84, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

Asian Games: The Art of Contest. The Asia Society Museum, New York, NY (organizer) (October 14, 2004-February 5, 2005); National Museum of Asian Art, Washington, DC (February 26-May 15, 2005). Hokusai: Beyond the Great Wave. The British Museum, London, United Kingdom of Great Britain and Northern Ireland (organizer) (May 25-August 13, 2017); Abeno Harukas Art Museum, Osaka, Japan (October 6-November 19, 2017). Japan’s Floating World 日本の浮世. The Cleveland Museum of Art (organizer) (April 8-October 9, 2022). Nikuhitsu ukiyo-e meisaku ten. Isetan Department Store, Tokyo, Japan (January 19–26, 1957). Nikuhitsu ukiyo-e meisaku ten: Orinpikku Tokyo taikai kinen [The exhibition of ukiyoe hand-paintings [sic]: In commemoration of the Tokyo Olympics]. Isetan Department Store, Tokyo, Japan (October 8–18, 1964). Nikuhitsu ukiyo-e meihin ten: Azabu bijutsukan shozo [Ukiyo-e Painting Masterpieces in the Collection of the Azabu Museum of Art]. Sendai City Museum, Sendai, Japan (June 11–July 17, 1988); Osaka Municipal Museum of Art, Osaka, Japan (September 6–October 9, 1988); Sogo Museum, Yokohama, Japan (October 20–November 13, 1988). Nikuhitsu ukiyo-e meihin ten [肉筆浮世絵名品展 = Exhibition of masterpieces of ukiyo-e painting]. Itabashi Art Museum, Tokyo, Japan (April 8–May 7, 1989). Japanese Gallery 103 Rotation. The Cleveland Museum of Art, Cleveland, OH (December 20, 1998–March 15, 1999). Japanese Gallery 121 Rotation. The Cleveland Museum of Art, Cleveland, OH (May 4–August 11, 2000).

The Cleveland Museum of ArtFiabilité 100%
Œuvres publiques liées

Œuvres visuellement proches

Explorer le catalogue →

Vue d’ensemble sourcée Éléments probants

Ukiyo-e artists’ subject matter extended to popular literature. Katsushika Ōi used color to great effect in her gruesome version of an episode from a 14th-century Chinese novel, <em>Romance of the Three Kingdoms.</em> Ōi portrayed the passage in which legendary 3rd-century military leader Guan Yu undergoes a bone scraping to remove poisons received from an arrow wound. In this sensationalist portrayal, Guan Yu’s attendants cower at the sight of his bloody arm while he remains unflinchingly focused on his game. As a woman, Ōi was an outlier in her era, but her talent was allowed to shine due to collaboration with her father, Katsushika Hokusai (1760–1849), the famed designer of the print known as <em>The</em> <em>Great Wave</em>.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 3 · Expositions: 3.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line