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Count Francesco Crescenzi or Giovanni Battista Crescenzi (1577-1660?), Spanish Marquess de la Torre;
Sir William Lowther (1727-1753), third and last Baronet of Marske (Holker Hall, Lancashire);
by inheritance to Lord George Augustus Cavendish (died 1794), Holker Hall, Lancashire;
by inheritance to William Cavendish (1808-1891), seventh Duke of Devonshire and second Earl of Burli...
Lord Richard Frederick Cavendish (1871-1946)
sale, Christie's, London, December 12, 1930, no. 37, illus.;
Richard Edward Osborne Cavendish, Esq., Holker Hall, Lancashire;
Count Francesco Crescenzi or Giovanni Battista Crescenzi (1577-1660?), Spanish Marquess de la Torre; Sir William Lowther (1727-1753), third and last Baronet of Marske (Holker Hall, Lancashire); by inheritance to Lord George Augustus Cavendish (died 1794), Holker Hall, Lancashire; by inheritance to William Cavendish (1808-1891), seventh Duke of Devonshire and second Earl of Burlington; Lord Richard Frederick Cavendish (1871-1946) sale, Christie's, London, December 12, 1930, no. 37, illus.; Richard Edward Osborne Cavendish, Esq., Holker Hall, Lancashire; sold, Christie's, London, April 1, 1960, no. 87, illus., to Rudolf Heinemann, New York; sold the the Cleveland Museum of Art, 1962.
Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Art in Italy, 1600-1700. The Detroit Institute of Arts, Detroit, MI (organizer) (April 6-May 9, 1965). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Claude Lorrain and the Ideal Landscape. National Museum of Western Art, Tokyo (organizer) (September 15-December 6, 1998). Manchester, England, 1857. "Art Treasures of Great Britain," cat. no. 654. CMA, Oct.-Nov. 1962: "Year in Review." Detroit Institute of Arts, Apr. 6- May 9, 1965: "Art in Italy, 1600-1700," cat. no. 23, repr. (catalogue by Donald Posner). CMA, Feb. 21- Mar. 12, 1982: "Visions of Landscape: East and West," no catalogue. National Gallery of Art, Washington D.C., Oct. 17, 1982- Jan. 2, 1983: "Claude Lorrain: A Tercentenary Exhibition," cat. no. 33, p. 153, repr. pl. 152, p. 20. Tokyo: The National Museum of Western Art, Tokyo "Claude Lorrain and the Ideal Landscape" 9/5 - 12/6/98.p. 81, no. 41.

アーティスト · 1380

アーティスト · 1555

アーティスト · 1755

Georges de La Tour (French, 1593–1652) · 1645

Adriaen Coorte (Dutch, 1660–1707) · 1701
One of the most influential landscape painters of the early modern era, Lorrain was a master of the “ideal landscape,” which combined lush foliage and a tranquil atmosphere with allusions to an idyllic, imaginary past. The intention was to create views more beautiful and harmonious than nature itself. In the foreground of this soaring landscape, the Holy Family rests on a shady bank as kneeling angels offer fruit to the Christ child. Landscape paintings like this were much in demand among wealthy collectors throughout Europe, for whom these expansive idealized scenes represented a calm retreat from their hectic city lives.
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