戻る
Rest on the Flight into Egypt
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum

Rest on the Flight into Egypt

early 1640s
Claude Lorrain (French, 1604–1682) visual detail
アーティストClaude Lorrain (French, 1604–1682)
アーティストを見る →

市場分析

観測売買の事実、比較証拠、アーティスト指数の履歴、モデル研究は区別します。

公開の証拠
最後に確認した価格—0 matched observed sales
観測中央値—
観測売買0
アーティスト指数—
この作品には権利確認済みの正規化売買が関連付いていません。架空の価格履歴は表示しません。
アーティスト指数は利用不可公開アーティスト指数の完了済み計算はありません。アーティストの背景情報は作品の価格評価ではありません。

比較売買

同じアーティストの公開売買を、技法、制作年、寸法、売買の新しさで順位付けします。

根拠による順位付け
公開利用可能な比較売買で、現在の証拠基準を満たすものがありません。RELICT は研究専用・ライセンス限定の情報で表を埋めません。

来歴

公開
来歴

Count Francesco Crescenzi or Giovanni Battista Crescenzi (1577-1660?), Spanish Marquess de la Torre;

来歴

Sir William Lowther (1727-1753), third and last Baronet of Marske (Holker Hall, Lancashire);

来歴

by inheritance to Lord George Augustus Cavendish (died 1794), Holker Hall, Lancashire;

来歴

by inheritance to William Cavendish (1808-1891), seventh Duke of Devonshire and second Earl of Burli...

来歴

Lord Richard Frederick Cavendish (1871-1946)

来歴

sale, Christie's, London, December 12, 1930, no. 37, illus.;

来歴

Richard Edward Osborne Cavendish, Esq., Holker Hall, Lancashire;

出典の来歴テキスト

Count Francesco Crescenzi or Giovanni Battista Crescenzi (1577-1660?), Spanish Marquess de la Torre; Sir William Lowther (1727-1753), third and last Baronet of Marske (Holker Hall, Lancashire); by inheritance to Lord George Augustus Cavendish (died 1794), Holker Hall, Lancashire; by inheritance to William Cavendish (1808-1891), seventh Duke of Devonshire and second Earl of Burlington; Lord Richard Frederick Cavendish (1871-1946) sale, Christie's, London, December 12, 1930, no. 37, illus.; Richard Edward Osborne Cavendish, Esq., Holker Hall, Lancashire; sold, Christie's, London, April 1, 1960, no. 87, illus., to Rudolf Heinemann, New York; sold the the Cleveland Museum of Art, 1962.

The Cleveland Museum of Art信頼度 100%

展覧会

公開
出典の展覧会テキスト

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Art in Italy, 1600-1700. The Detroit Institute of Arts, Detroit, MI (organizer) (April 6-May 9, 1965). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Claude Lorrain and the Ideal Landscape. National Museum of Western Art, Tokyo (organizer) (September 15-December 6, 1998). Manchester, England, 1857. "Art Treasures of Great Britain," cat. no. 654. CMA, Oct.-Nov. 1962: "Year in Review." Detroit Institute of Arts, Apr. 6- May 9, 1965: "Art in Italy, 1600-1700," cat. no. 23, repr. (catalogue by Donald Posner). CMA, Feb. 21- Mar. 12, 1982: "Visions of Landscape: East and West," no catalogue. National Gallery of Art, Washington D.C., Oct. 17, 1982- Jan. 2, 1983: "Claude Lorrain: A Tercentenary Exhibition," cat. no. 33, p. 153, repr. pl. 152, p. 20. Tokyo: The National Museum of Western Art, Tokyo "Claude Lorrain and the Ideal Landscape" 9/5 - 12/6/98.p. 81, no. 41.

The Cleveland Museum of Art信頼度 100%
関連する公開作品

視覚的に近い作品

カタログを見る →

出典付きの概要 根拠資料

One of the most influential landscape painters of the early modern era, Lorrain was a master of the “ideal landscape,” which combined lush foliage and a tranquil atmosphere with allusions to an idyllic, imaginary past. The intention was to create views more beautiful and harmonious than nature itself. In the foreground of this soaring landscape, the Holy Family rests on a shady bank as kneeling angels offer fruit to the Christ child. Landscape paintings like this were much in demand among wealthy collectors throughout Europe, for whom these expansive idealized scenes represented a calm retreat from their hectic city lives.

The Cleveland Museum of Art信頼度 100%

証拠の状態

観測売買: 0 · 比較売買: 0 · 来歴: 9 · 展覧会: 4.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line