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The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum
Gooseberries on a Table
1701
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根拠による順位付け
来歴
公開-1907
Auguste Coster [d. 1907], Brussels
1907
(Le Roy, Brussels, Coster sale, April 4-6, 1907, lot 69, possibly sold to Max Massot)
-1964
Max Massot, Belgium, sold to P. de Boer
1964
(Kunsthandel P. de Boer, Amsterdam, sold to Mrs. Wulf, The Hague)1
1964-1975
Mrs. Wulf, The Hague, exchanged with P. de Boer for a marine painting by J. van Diest
1975
(Kunsthandel P. de Boer, Amsterdam, sold to Johnny Oppenheimer)
1975-1986
Johnny Oppenheimer, Tönnersjö, Eldsberga, Sweden, consigned to Charles Roelofsz Gallery, Amsterdam1
出典の来歴テキスト
Auguste Coster [d. 1907], Brussels (Le Roy, Brussels, Coster sale, April 4-6, 1907, lot 69, possibly sold to Max Massot) Max Massot, Belgium, sold to P. de Boer (Kunsthandel P. de Boer, Amsterdam, sold to Mrs. Wulf, The Hague)1 Mrs. Wulf, The Hague, exchanged with P. de Boer for a marine painting by J. van Diest (Kunsthandel P. de Boer, Amsterdam, sold to Johnny Oppenheimer) Johnny Oppenheimer, Tönnersjö, Eldsberga, Sweden, consigned to Charles Roelofsz Gallery, Amsterdam1 (Charles Roelofsz Gallery, Amsterdam) (Sam Nijstad, The Hague, and K. Waterman Gallery, Amsterdam, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art信頼度 100%
展覧会
公開出典の展覧会テキスト
The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988). Still-Life Paintings from the Netherlands, 1550-1720. Rijksmuseum, Amsterdam, Netherlands (June 19-September 19, 1999); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 31, 1999-January 9, 2000). Small Wonders: Dutch Still Lifes by Adriaen Coorte. National Gallery of Art, Landover, MD (organizer) (June 29-September 28, 2003).
The Cleveland Museum of Art信頼度 100%
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$14,150最後の売買
1951
1951
Portrait of a Woman
Gerard ter Borch (Dutch, 1617–1681) · 1650
出典付きの概要 根拠資料
Coorte worked in Middelburg, a wealthy maritime city in the southern part of the Netherlands that fostered a poetic, scientific, and spiritual examination of the natural world. Gooseberries—a modest, local pleasure—could be picked in the wild, although Dutch gardeners in the 1600s were the first to cultivate them to improve their taste. The strong illumination gives the plant a stark grandeur, despite the small scale, and the dark background emphasizes the fruit's delicate translucency. The dessicated flower petals and waxy leaves contrast with the succulent gooseberries, with their skin on the verge of bursting.
The Cleveland Museum of Art信頼度 100%
証拠の状態
観測売買: 0 · 比較売買: 0 · 来歴: 10 · 展覧会: 3.
Exhibition HistoryCredit LinePlace Of OriginShort DescriptionProvenance Text