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For Sunday's Dinner
Art Institute of Chicago
Museum

For Sunday's Dinner

1888
William Michael Harnett visual detail
アーティストWilliam Michael Harnett
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市場分析

観測売買の事実、比較証拠、アーティスト指数の履歴、モデル研究は区別します。

公開の証拠
最後に確認した価格 $20,000 Dealer sale · Jun 30, 1958
-33.3% vs previous observed sale
対応する価格履歴 · 正規化 USD · Foundry 暫定値
1958 · $30,0001958 · $20,000
$30K1958
$20K1958
最後に確認した価格$20,0002 matched observed sales
観測中央値$25,000
観測売買2
アーティスト指数—
1958-06-30Dealer sale$20,000.00
1958-06-02Dealer purchase$30,000.00
アーティスト指数は利用不可適格な証拠が不足しているため、人工的な曲線は公開しません。アーティストの背景情報は作品の価格評価ではありません。

比較売買

同じアーティストの公開売買を、技法、制作年、寸法、売買の新しさで順位付けします。

根拠による順位付け
公開利用可能な比較売買で、現在の証拠基準を満たすものがありません。RELICT は研究専用・ライセンス限定の情報で表を埋めません。

来歴

公開
John Hedges, Philadelphia, (not documented). Joann Kolodny, Baltimore, by 1953. L. Manuel Hendler, Baltimore

John Hedges, Philadelphia, (not documented). Joann Kolodny, Baltimore, by 1953. L. Manuel Hendler, B...

Baltimore Museum of Art, from 1957 to 1958

Baltimore Museum of Art, from 1957 to 1958

M. Knoedler and Company, New York City, 1958

M. Knoedler and Company, New York City, 1958

sold to the Art Institute of Chicago, 1958.

sold to the Art Institute of Chicago, 1958.

出典の来歴テキスト

John Hedges, Philadelphia, (not documented). Joann Kolodny, Baltimore, by 1953. L. Manuel Hendler, Baltimore; Baltimore Museum of Art, from 1957 to 1958; M. Knoedler and Company, New York City, 1958; sold to the Art Institute of Chicago, 1958.

Art Institute of Chicago信頼度 100%

展覧会

公開
出典の展覧会テキスト

New York, National Academy of Design, Seventh Autumn Exhibition, Nov. 19–Dec. 15, 1888, cat. 44. Phliadelphia, Wanamaker's Department Store, late 1888/early 1889. Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available]. La Jolla Museum of Art, The Reminiscent Object, Paintings by William Michael Harnett, John Frederick Peto, and John Haberle, July 11–Sept. 19, 1965, cat. 21; Santa Barbara Museum of Art, Sept. 28–Oct. 31, 1965. Philadelphia, Peale Galleries of the Pennsylvania Academy of the Fine Arts, Two Illusionist Painters, William Michael Harnett and John Frederick Peto, Mar. 11–Apr. 17, 1966, cat. 2. New York City, Coe Kerr Gallery, One Hundred–Fifty Years of American Still–Life Painting, Apr. 27–May 16, 1970, cat. 32. Sacramento, E.B. Crocker Art Gallery, Munich and American Realism in the Nineteenth Century, Oct. 28–Dec. 10, 1970, cat. 37. Cincinnati Art Museum, Munich & American Realism in the 19th Century, Apr. 20–May 28, 1978; Milwaukee Art Center, July 13–Aug. 27, 1978; Sacramento, E.B. Crocker Art Gallery, Oct. 28–Dec. 10, 1978. New York City, Metropolitan Museum of Art, William H. Harnett, Mar. 16–June 14, 1992; Fort Worth, Amon Carter Museum, July 17–Oct. 18, 1992, Fine Arts Museums of San Francisco, Nov. 14, 1992–Feb. 14, 1993, Washington, DC, National Gallery of Art, Mar. 14–June 13, 1993 (New York only). Art Institute of Chicago, Art and Appetite: American Painting, Culture, and Cuisine, Nov. 10, 2013–Jan. 27, 2014, cat. 23; Fort Worth, Amon Carter Museum of American Art, Feb. 22–May 18, 2014.

Art Institute of Chicago信頼度 100%
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出典付きの概要 根拠資料

<p>Still-life painter William Michael Harnett excelled at trompe l’oeil, painting that fools the eye, through realistic depiction. In <em>For Sunday’s Dinner</em>, a chicken hangs in front of a painted door with its throat cut and most of its feathers plucked; a few remaining downy spots stand out against the puckered, pimpled flesh. The metal door hinges, on the right side of the canvas, frame the chicken and echo its form. The painting’s title and the rough, blemished surface of the door suggest a country dinner, the homey meal evoking nostalgia for a simpler past.</p>

Art Institute of Chicago信頼度 100%

証拠の状態

観測売買: 2 · 比較売買: 0 · 来歴: 4 · 展覧会: 10.

Short DescriptionProvenance TextExhibition HistoryCredit LinePlace Of Origin