Indietro
For Sunday's Dinner
Art Institute of Chicago
Museum

For Sunday's Dinner

1888
William Michael Harnett visual detail
ArtistaWilliam Michael Harnett
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Analisi di mercato

Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.

Prove pubbliche
Ultimo prezzo noto $20,000 Dealer sale · Jun 30, 1958
-33.3% vs previous observed sale
Cronologia prezzi abbinata · USD normalizzati · Foundry provvisorio
1958 · $30,0001958 · $20,000
$30K1958
$20K1958
Ultimo prezzo noto$20,0002 matched observed sales
Mediana osservata$25,000
Vendite osservate2
Indice artista—
1958-06-30Dealer sale$20,000.00
1958-06-02Dealer purchase$30,000.00
Indice artista non disponibileProve idonee insufficienti; non viene pubblicata una curva artificiale.Il contesto dell’artista non è una valutazione dell’opera.

Vendite comparabili

Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.

Ordinato per prove
Nessuna vendita comparabile con diritti pubblici soddisfa i criteri attuali. RELICT non riempie la tabella con fatti riservati alla ricerca o al solo accesso con licenza.

Provenienza

Pubblico
John Hedges, Philadelphia, (not documented). Joann Kolodny, Baltimore, by 1953. L. Manuel Hendler, Baltimore

John Hedges, Philadelphia, (not documented). Joann Kolodny, Baltimore, by 1953. L. Manuel Hendler, B...

Baltimore Museum of Art, from 1957 to 1958

Baltimore Museum of Art, from 1957 to 1958

M. Knoedler and Company, New York City, 1958

M. Knoedler and Company, New York City, 1958

sold to the Art Institute of Chicago, 1958.

sold to the Art Institute of Chicago, 1958.

Testo di provenienza della fonte

John Hedges, Philadelphia, (not documented). Joann Kolodny, Baltimore, by 1953. L. Manuel Hendler, Baltimore; Baltimore Museum of Art, from 1957 to 1958; M. Knoedler and Company, New York City, 1958; sold to the Art Institute of Chicago, 1958.

Art Institute of ChicagoAffidabilità 100%

Mostre

Pubblico
Testo mostre della fonte

New York, National Academy of Design, Seventh Autumn Exhibition, Nov. 19–Dec. 15, 1888, cat. 44. Phliadelphia, Wanamaker's Department Store, late 1888/early 1889. Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available]. La Jolla Museum of Art, The Reminiscent Object, Paintings by William Michael Harnett, John Frederick Peto, and John Haberle, July 11–Sept. 19, 1965, cat. 21; Santa Barbara Museum of Art, Sept. 28–Oct. 31, 1965. Philadelphia, Peale Galleries of the Pennsylvania Academy of the Fine Arts, Two Illusionist Painters, William Michael Harnett and John Frederick Peto, Mar. 11–Apr. 17, 1966, cat. 2. New York City, Coe Kerr Gallery, One Hundred–Fifty Years of American Still–Life Painting, Apr. 27–May 16, 1970, cat. 32. Sacramento, E.B. Crocker Art Gallery, Munich and American Realism in the Nineteenth Century, Oct. 28–Dec. 10, 1970, cat. 37. Cincinnati Art Museum, Munich & American Realism in the 19th Century, Apr. 20–May 28, 1978; Milwaukee Art Center, July 13–Aug. 27, 1978; Sacramento, E.B. Crocker Art Gallery, Oct. 28–Dec. 10, 1978. New York City, Metropolitan Museum of Art, William H. Harnett, Mar. 16–June 14, 1992; Fort Worth, Amon Carter Museum, July 17–Oct. 18, 1992, Fine Arts Museums of San Francisco, Nov. 14, 1992–Feb. 14, 1993, Washington, DC, National Gallery of Art, Mar. 14–June 13, 1993 (New York only). Art Institute of Chicago, Art and Appetite: American Painting, Culture, and Cuisine, Nov. 10, 2013–Jan. 27, 2014, cat. 23; Fort Worth, Amon Carter Museum of American Art, Feb. 22–May 18, 2014.

Art Institute of ChicagoAffidabilità 100%
Opere pubbliche collegate

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Panoramica documentata Evidenze

<p>Still-life painter William Michael Harnett excelled at trompe l’oeil, painting that fools the eye, through realistic depiction. In <em>For Sunday’s Dinner</em>, a chicken hangs in front of a painted door with its throat cut and most of its feathers plucked; a few remaining downy spots stand out against the puckered, pimpled flesh. The metal door hinges, on the right side of the canvas, frame the chicken and echo its form. The painting’s title and the rough, blemished surface of the door suggest a country dinner, the homey meal evoking nostalgia for a simpler past.</p>

Art Institute of ChicagoAffidabilità 100%

Stato delle prove

Vendite osservate: 2 · Vendite comparabili: 0 · Provenienza: 4 · Mostre: 10.

Short DescriptionProvenance TextExhibition HistoryCredit LinePlace Of Origin