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(J.T. Tai sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(J.T. Tai sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). The Art of Southern Sung China. The Asia Society Museum, New York, NY (organizer) (February 15-April 15, 1962). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Album Leaves from the Sung and Yuan Dynasties. China House Gallery, New York, NY (March 26-May 30, 1970). Main Asian Rotation (Gallery 120). The Cleveland Museum of Art, Cleveland, OH (March 11-July 13, 2004).

Félix Vallotton (Swiss French, 1865–1925) · 1890

George Luks (American, 1866–1933) · 1907

Robert S. Duncanson (American, 1821–1872) · 1867

Jean-Auguste-Dominique Ingres (French, 1780–1867) · 1833

Artista · 1400
Here, a herdboy tending a cow with a calf is sitting beneath a tree with his pet myna bird. The painting can be read as a pastoral scene. As the water buffalo helped plow the fields, it was perceived as an animal that endures hard work without gain for itself, often interpreted as a metaphor for the official.<br> <br>Ox-herding pictures, presented as gifts in court circles, were used for their moral and political rhetoric. <em>The Yijing</em> (Book of Changes) states, <em>The Receptive is the earth, the mother . . . it is a cow with a calf . . . the multitude [in relation to the ruler]</em>.
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