Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
(C. W. Kraushaar Galleries, New York).
(C. W. Kraushaar Galleries, New York).
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Exhibition of American Painting from 1860 Until Today. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-October 4, 1937). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). The Eight. The Cleveland Museum of Art, Cleveland, OH (February 9-March 4, 1944). What Was the Armory Show?. The Cleveland Museum of Art, Cleveland, OH (June 27-September 15, 1963). George Luks 1866-1933: An Exhibition of Paintings and Drawings Dating from 1889 to 1931. Munson Museum of Art, Utica, NY (organizer) (April 1-May 20, 1973). Heritage and Horizon: American Painting 1776 - 1976. Buffalo AKG Art Museum, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976). An Important Collection of Paintings and Bronzes by Modern Masters of American and European Art. C.W. Kraushaar Art Galleries, New York(December 3–December 31, 1921) New York, C.W. Kraushaar Art Galleries, Retrospective Exhibition of Paintings by George Luks (8 January-27 January 1923); cat. no. 28, not illus. New York, Radio City assembled by The College Art Association, (May, 1933) Cleveland, The Cleveland Museum of Art, Philadelphia, Philadelphia Museum of Art, Artists of the Philadelphia Press (14 October-18 November 1945), pp. 5-15, cat. no. 24, not illus., includes essays by John Sloan and Everett Shin; catalogue in The Philadelphia Museum Bulletin (November, 1945), vol. XLI, no. 207. (16 June-16 July 1933), The Bulletin of The Cleveland Museum of Art (June, 1933), pp. 98-102, listed p. 101. Milwaukee, Milwaukee Art Institute, Sports and Adventure in American Art (15 February-30 March 1947), cat. no. 50, not illus. Palm Beach, Fla, The Society of the Four Arts, From Plymouth Rock to the Armory (9 February-5 March 1950), cat. no. 45, not illus. Vancouver, Vancouver Art Gallery, Two Hundred Years of American Painting (8 March-3 April 1955), cat. no. 38, illus. Oxford, OH, Miami University, Sesquicentennial Celebration (15 May-15 June 1959) San Diego, The Fine Arts Gallery of San Diego, Modern American Painting: 1915 (6 December 1962-6 January 1963), cat. no. 30, pp. 5-9, listed p. 18, illus. on back of catalogue. Utica, New York, Munson-Williams-Proctor Institute, George Luks 1866-1933: An Exhibition of Paintings and Drawings Dating from 1889 to 1931 (1 April-20 May 1973); pp. 5-9, 14-19, cat. no. 83, listed p. 49, illus. p. 15. Buffalo, Albright-Knox Art Gallery, Heritage and Horizon: American Painting, 1776-1976 (6 March-11 April 1976); traveled to Detroit, Detroit Institute of Arts (5 May-13 June 1976); to Toledo, The Toledo Museum of Art (4 July-15 August 1976); to Cleveland, The Cleveland Museum of Art (8 September-10 October 1976); cat. no. 37. Milwaukee, Milwaukee Art Museum, Painters of a New Century: The Eight & American Art (6 September-3 November 1991); traveled to Denver, The Denver Art Museum (7 December 1991-16 February 1992); to Ottawa, National Gallery of Canada (16 April-7 June 1992); to Brooklyn, The Brooklyn Museum (26 June-21 September 1992); cat. no. 82, listed p. 179, illus. p. 14. Philadelphia, Philadelphia Museum of Art, Artists of the Philadelphia Press (14 October-18 November 1945).
Artista · 1400
Robert S. Duncanson (American, 1821–1872) · 1867
Li You (Chinese, active c. 1145) · 1145
Artista · 1700
Dong Qichang (Chinese, 1555–1636) · 1624
A sun-dappled scene of middle-class leisure, <em>Holiday on the Hudson</em> is an atypical work by Luks, who more often turned to gritty tenement subjects for inspiration. Throughout his career, the painter fashioned himself as a brash, profane, and hard-drinking antagonist to New York’s genteel art-world establishment. The museum purchased this work just four months before the artist was beaten to death in the wake of a speakeasy argument.
Vendite osservate: 0 · Vendite comparabili: 0 · Provenienza: 1 · Mostre: 7.