Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin
Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin
Albert Cousin
(J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin Albert Cousin (J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). Draped in Splendor: Renaissance Textiles and the Church. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2003-September 26, 2004). The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).
Fundamental to Christian belief, the Holy Trinity refers to the three divine persons in God—God the Father, here depicted wearing a papal tiara, God the Son, crucified on the cross, and the Holy Spirit, represented as a dove. Juxtaposed with the Trinity's austere depiction are cherubim bathed in radiant red light, possibly influenced by stained glass windows that Girardin also designed in Lyon. God the Father wears a liturgical vestment, a sumptuous and bejeweled cope, or cape, fastened below the neck, typically worn by clergy for processional occasions. It is made of opulent crimson velvet with gold thread forming a large pomegranate pattern.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 5 · Expositions: 3.
