Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
The Cleveland Museum of Art, Cleveland, Ohio
(Hirschl & Adler Galleries, New York, NY, sold to the Cleveland Museum of Art)
Alice Kaplan [1903-1995], New York, NY1
(Kennedy Galleries, New York, NY, probably sold to Alice Kaplan)
Howard Keyser III [1904-1980], Island Heights, NJ and Philadelphia, PA, consigned to the Kennedy Gal...
The Cleveland Museum of Art, Cleveland, Ohio (Hirschl & Adler Galleries, New York, NY, sold to the Cleveland Museum of Art) Alice Kaplan [1903-1995], New York, NY1 (Kennedy Galleries, New York, NY, probably sold to Alice Kaplan) Howard Keyser III [1904-1980], Island Heights, NJ and Philadelphia, PA, consigned to the Kennedy Galleries 1
Year in Review: 1973. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 30-March 17, 1974). Heritage and Horizon: American Painting 1776 - 1976. Buffalo AKG Art Museum, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976). The Magic of Still Life. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 1986-February 1, 1987). Cleveland Collects American Art of the Gilded Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 23-May 18, 2003). The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006). Northampton, Mass., Smith College Museum of Art, John F. Peto (1-24 March 1950); traveled to Brooklyn, The Brooklyn Museum of Art (11 April-21 May 1950); San Francisco, California Palace of the Legion of Honor (10 June-9 July 1950); cat. no. 36, not illus. New York, Hirschl & Adler Galleries Inc., Faces and Places: Changing Images of 19th Century America (5 December 1972-6 January 1973) Buffalo, Albright-Knox Art Gallery, Heritage and Horizon: American Painting, 1776-1976 (6 March-11 April 1976); Detroit, The Detroit Institute of Arts (5 May-13 June 1976); Toledo, The Toledo Museum of Art (4 July-15 August 1976); Cleveland, The Cleveland Museum of Art (8 September-10 October 1976), illus. cat. no. 24. Washington, D.C., National Gallery of Art, Important Information Inside: The Art of John F. Peto and the Idea of Still-Life Painting in Nineteenth-Century America (16 January-29 May 1983); traveled to Fort Worth, Amon Carter Museum (15 July-18 September 1983), cat. no. 189, illus. p. 201. Cleveland, The Cleveland Museum of Art Still-Life Paintings in Gallery 222 (1992?), pamphlet which seems to have accompanied a small show of still-lifes owned by the CMA; the 8/92 at the end of the pamphlet seems to indicate that is when this show took place, but this could not be confirmed.
Mei Qing (Chinese, 1623–1697) · 1690
Charles Willson Peale (American, born The Thirteen Colonies, 1741–1827) · 1774
François Boucher (French, 1703–1770) · 1740
Artiste · 1127
Francesco Granacci (Italian, 1469–1543) · 1505
Like modern-day bulletin boards, card racks were used to gather newspaper clippings, scraps of paper, and other ephemera in one place. Although it is unclear if the items seen here carry symbolic meaning, they nevertheless demonstrate the human desire to collect and recollect. Their tattered state and frayed edges further evoke a sense of memory and nostalgia. The illusionistic quality of Peto’s pictures makes the objects appear to exist in real space. Even the cigarette butt perched at the bottom looks ready to be plucked from the painting’s frame.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 5 · Expositions: 5.