Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Possibly from a Russian coll.; Richard von Kaufmann, Berlin, 1898; (Cassirer and Helbing, Berlin sal...
Possibly from a Russian coll.; Richard von Kaufmann, Berlin, 1898; (Cassirer and Helbing, Berlin sale, December 4, 1917, no. 78); Walter von Pannwitz, Berlin; Frau C. von Pannwitz, Hartekamp near Haarlem (1917); (Rosenberg & Stiebel, NY)
Masterpieces of Flemish Art: Van Eyck to Bosch. The Detroit Institute of Arts, Detroit, MI (co-organizer) (October 18-December 31, 1960). Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 1, 1981-January 17, 1982). Gerard David and Flemish Landscape. Museo Nacional Thyssen-Bornemisza, Madrid, Spain (organizer) (June 8-August 17, 2004). Berlin, Kunstgeschichtliche Gesellschaft, 1898: Kunstwerke des Mittelalters und der Renaissance aus Berliner Privatbesitz, cat. no. 56; Rotterdam, Museum Boymans, 1939-1940: Schilderijen, beeldhouwerken en teekeningen uit particuliere verzameling in Nederland, cat. no. 12; The Hague, 1945: Nederlandsche kunst van de XVe en XVIe eeuw, cat. no. 45; Bruges, Musée Communal, 1949: Gerard David, cat. no. 6; Detroit Institute of Arts, 1960: Flanders in the Fifteenth Century, cat. no. 47; CMA, 1973: Dutch Art and Life in the 17th Century, no cat.; CMA, 1981: When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story, no cat. Madrid, Museo Thyssen-Bornemisza (6/8/2004 - 8/17/2004): "Gerard David and Flemish Landscape", fig. 16, p. 45.
Carlo Crivelli (Italian, 1430/35–1495) · 1472
Lippo Memmi (Italian) · 1345
Cornelis Jonson (called Jonson van Ceulen) (British, 1593–1661) · 1619
Dai Jin (Chinese, 1388–1462) · 1400
Rogier van der Weyden (Flemish, c. 1399–1464) · 1455
The nativity was one of the most frequently depicted subjects in western art. The event marks the entrance of Christ into the world and the fulfillment of Old Testament prophecy. In the distance an angel announces the birth of Christ to the shepherds tending their flocks. One shepherd is already at the stable adoring the Christ child. In the background, the cityscape represents Jerusalem, where Christ would be crucified, represented here as a northern medieval city. Only Matthew and Luke describe Christ’s nativity in the Gospels, which led medieval writers and artists to amplify the event. Some scholars have suggested that the head of Joseph is a donor portrait. Gerard David was born in Oudewater, now located in Utrecht. He spent his mature career in Bruges, where he was a member of the painters’ guild. Upon the death of Hans Memling in 1494, David became Bruges’s leading painter of devotional panels. He was also a manuscript illuminator.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 1 · Expositions: 5.