The Marriage of Pradyumna and Rukmavati, page from a Bhagavata Purana

The Cleveland Museum of Art · Gift of Dr. Norman Zaworski

Museum

The Marriage of Pradyumna and Rukmavati, page from a Bhagavata Purana

c. 1525–40

Technique: Gum tempera and ink on paper
Dimensions: Overall: 16.3 x 21.5 cm (6 7/16 x 8 7/16 in.)
Classification: Painting
Style: Indian Art
Origine: Northern India
Institution: The Cleveland Museum of Art
Crédit: Gift of Dr. Norman Zaworski

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Provenance

Public

?–1976

Dr. Norman Zaworski [1920–2013], Cleveland, OH, given to the Cleveland Museum of Art

1976–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

Dr. Norman Zaworski [1920–2013], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public

Year in Review, 1976

Indian Painting of the 1500s: Continuities and Transformations

Supernatural Love - Indian Gallery 242 Rotation

Texte d’exposition source

Year in Review, 1976. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-March 6, 1977). Supernatural Love - Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (April 1-September 9, 2019). Indian Painting of the 1500s: Continuities and Transformations. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 2025-January 11, 2026). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 13, 2003-February 18, 2004). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 18, 2004-May 23, 2005).

The Cleveland Museum of ArtFiabilité 100%

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Vue d’ensemble sourcée Éléments probants

Like his father Krishna, Pradyumna appears blue in color. He is shown three times in this painting with his bride. The scene of his marriage is in the upper level where a Brahmin, a Hindu priest, to the right of the pole and wearing a white lower garment and looped topknot of hair, performs the ceremony. Their arrival at the ceremony is pictured below. The flattened spaces and bold variety of background colors are typical of a major strain of Indian paintings made before the time of the Mughal emperor Akbar, who encouraged stylistic changes derived from exposure to Persian and European art forms.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 3.

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