Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Sandor L. Feldman, Washington, DC
Mr. and Mrs. Alvin N. Haas, Cleveland, OH, given to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Sandor L. Feldman, Washington, DC Mr. and Mrs. Alvin N. Haas, Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 9-December 19, 1976); The David and Alfred Smart Museum of Art, Chicago, IL (January 12-February 27, 1977). Dance of the Gods: Indian Art Inspired by Music. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 24-December 8, 1996). Supernatural Love - Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (April 1-September 9, 2019). Indian Painting of the 1500s: Continuities and Transformations. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 2025-January 11, 2026). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 13, 2003-February 18, 2004). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 18, 2004-May 23, 2005).
Abstract concentric circles depict water churned up by the <em>gopis</em>, or cowherd women, who are swimming and playing with joy and abandon. In their midst, the blue-skinned Krishna reaches for a gopi’s breast. Their love play is celebrated by celestial beings in the sky who offer flower garlands and beat on a drum. Every figure’s face is shown in profile—a hallmark of Indian painting of the early 1500s perpetuated by artists wishing to emphasize Indian rather than Persian depictions of the human form.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 3 · Expositions: 4.
