The Life of Buckingham
The Cleveland Museum of Art · Norman O. Stone and Ella A. Stone Memorial Fund
Museum

The Life of Buckingham

c. 1855
Augustus Leopold Egg (British, 1816-c. 1863) visual detail
ArtisteAugustus Leopold Egg (British, 1816-c. 1863)
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Analyse de marché

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Provenance

Public
Provenance

by 1865 - 1876: James Dugdale (1813-1876), Wroxall Abbey, Warwick

Provenance

1876 - 1927: by descent to his son James Broughton Dugdale (1855-1927)

Provenance

1927: James Broughton Dugdale sale, Christie's, June 24, 1927, (lot 133 with 134)

Provenance

1927 - ?: "bt. Martin and Sampson, respectively The Toast of the King and The Death Chamber, both fo...

Provenance

?: with Anthony Hordern, Sydney, Australia [research ongoing]

Provenance

? - 2014:hitherto undisclosed American private collection [research ongoing]

Provenance

2014: bought in at Christie's London "Victorian, Pre-Raphaelite & British Impressionist Art" sale on...

Texte de provenance source

by 1865 - 1876: James Dugdale (1813-1876), Wroxall Abbey, Warwick 1876 - 1927: by descent to his son James Broughton Dugdale (1855-1927) 1927: James Broughton Dugdale sale, Christie's, June 24, 1927, (lot 133 with 134) 1927 - ?: "bt. Martin and Sampson, respectively The Toast of the King and The Death Chamber, both for total price of £25 4s [Christie's notes say 24 gns to Harrison with lot 134; research ongoing] ?: with Anthony Hordern, Sydney, Australia [research ongoing] ? - 2014:hitherto undisclosed American private collection [research ongoing] 2014: bought in at Christie's London "Victorian, Pre-Raphaelite & British Impressionist Art" sale on June 17, 2014 (lot 13) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer).

The Cleveland Museum of ArtFiabilité 100%
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Vue d’ensemble sourcée Éléments probants

<br>Augustus Leopold Egg’s The Life of Buckingham depicts a fictional moment in the debauched, roguish life of George Villiers (1628–1687), 2nd Duke of Buckingham (seated at the center, wearing white). Although the scene is invented, <br>the merrymakers and courtesans depicted around the table (among them King Charles II, to Buckingham’s right) were characters the duke would have personally known and were familiar to Victorian audiences who delighted in the <br>cautionary tale of excess.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 8 · Expositions: 1.

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