Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
M. de Vaize and the de Vaize Family
(Sale: Galerie Charpentier, Paris, France, December 15—16, 1958, no. 64)
(Sale: Palais Galliera, Paris, France, December 4, 1963, no. 200, to Cailleux)
Private Collection, New York, NY
[Eugene V. Thaw (1927-2018), New York, NY, sold to the Cleveland Museum of Art].
The Cleveland Museum of Art, Cleveland, OH
M. de Vaize and the de Vaize Family (Sale: Galerie Charpentier, Paris, France, December 15—16, 1958, no. 64) (Sale: Palais Galliera, Paris, France, December 4, 1963, no. 200, to Cailleux) Private Collection, New York, NY [Eugene V. Thaw (1927-2018), New York, NY, sold to the Cleveland Museum of Art]. The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1969. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 27-February 22, 1970). Chardin and the Still Life Tradition in France. The Cleveland Museum of Art, Cleveland, OH (June 6-August 12, 1979). Fierce Friends: Artists & Animals, 1750-1920. Carnegie Museum of Art, Pittsburgh, PA (organizer) (March 26-August 17, 2006). Salon of 1742. Louvre, Paris, France (August 25–September 21, 1742). Le Cabinet de l'Amateur. Musée de l'Orangerie des Tuileries, Paris, France (February–April, 1956).
Frédéric Bazille (French, 1841–1870) · 1867
Battista di Biagio Sanguigni (Italian, active 1393–1451) · 1419
Hippolyte Jean Flandrin (French, 1809–1864) · 1850
Franz Anton Maulbertsch (Austrian, 1724–1796) · 1745
Bartolomeo Veneto (Italian, 1531) · 1510
Oudry used a starkly simple composition and sterile background to emphasize his virtuosity in depicting textures, a highly desirable skill of still-life painters at this time. These artists were aiming for the highest level of accuracy—an effect of the Enlightenment, the contemporary intellectual movement that emphasized scientific reasoning in all pursuits. These paintings were generally displayed in hunting lodges or dining rooms, as a glorification of the hunt and the bounty it brings.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 6 · Ausstellungen: 3.