可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
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The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
Venus Discovering the Dead Adonis
c. 1650
市场分析
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最后已知价格—0 matched observed sales
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艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
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来源与流传记录
公开1960
La Comtesse de Rouge and La Marquise de Divonne, both daughters of Bartolini (sale: Christie’s. Lond...
until 1960
Jean Bartoloni, Château de Versoix, Switzerland and heirs.
15 May 1965
Frederick Mont (New York), Sold to the Cleveland Museum of Art.
1950–1960
On loan to Muse d'art et d'Histoire, Geneva, Switzerland.
来源传承文本
La Comtesse de Rouge and La Marquise de Divonne, both daughters of Bartolini (sale: Christie’s. London, no. 101, pl. LIII); [Frederick M. Mont, New York]. Jean Bartoloni, Château de Versoix, Switzerland and heirs. Frederick Mont (New York), Sold to the Cleveland Museum of Art. On loan to Muse d'art et d'Histoire, Geneva, Switzerland.
The Cleveland Museum of Art可信度 100%
展览
公开来源展览文本
Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966). Re-presenting the Baroque. Samuel P. Harn Museum of Art (organizer) (October 1, 1997-April 1, 1998). on loan to the Musée d'Art et d'Historie, Geneva, from ca. 1950 to 1960. Golden Anniversary Acquisitions, Cleveland Museum of Art, Cleveland, Ohio (September 10–October 16, 1966). Re-presenting the Baroque, Samuel P. Harn Museum, Gainesville, Florida (October 1997– April 1998).
The Cleveland Museum of Art可信度 100%
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有来源的概览 佐证资料
Venus, the goddess of love, urged her mortal lover Adonis to hunt only the easiest game. Yet he insisted on pursuing boar, which eventually gored him to death. In this scene, Venus discovers the young man robbed of his youth, yet the painting eternally preserves him in a state of perfection. This paradox corresponds to wordplay in Italian poetry from the 1600s, with which many artists sought visual parallels in their work. This painting derives from a 1623 poem by Giovanni Battista Marino. The painter remains unknown, although the sophisticated literary reference, dramatic use of light, and vivid use of color demonstrate the artist’s awareness of trends converging in Naples in the mid-1600s.
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 4 · 展览: 2.
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