可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
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The Cleveland Museum of Art · Gift of Dr. Norman Zaworski
Museum
The Marriage of Pradyumna and Rukmavati, page from a Bhagavata Purana
c. 1525–40
市场分析
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
艺术家指数—
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艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
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来源与流传记录
公开?–1976
Dr. Norman Zaworski [1920–2013], Cleveland, OH, given to the Cleveland Museum of Art
1976–
The Cleveland Museum of Art, Cleveland, OH
来源传承文本
Dr. Norman Zaworski [1920–2013], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art可信度 100%
展览
公开来源展览文本
Year in Review, 1976. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-March 6, 1977). Supernatural Love - Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (April 1-September 9, 2019). Indian Painting of the 1500s: Continuities and Transformations. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 2025-January 11, 2026). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 13, 2003-February 18, 2004). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 18, 2004-May 23, 2005).
The Cleveland Museum of Art可信度 100%
相关公开作品
浏览目录 →目录相近作品
Krishna sporting with the gopis in the Jumna River, from a Bhagavata Purana
艺术家 · 1520
Nanda and the elders, page from a Bhagavata Purana
艺术家 · 1520
Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”
艺术家 · 1555
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana
艺术家 · 1590
A Woman Plucks Leaves While Awaiting Her Lover: Gunakali Ragini of Malkos, from the “Chawand Ragamala”
艺术家 · 1605
有来源的概览 佐证资料
Like his father Krishna, Pradyumna appears blue in color. He is shown three times in this painting with his bride. The scene of his marriage is in the upper level where a Brahmin, a Hindu priest, to the right of the pole and wearing a white lower garment and looped topknot of hair, performs the ceremony. Their arrival at the ceremony is pictured below. The flattened spaces and bold variety of background colors are typical of a major strain of Indian paintings made before the time of the Mughal emperor Akbar, who encouraged stylistic changes derived from exposure to Persian and European art forms.
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 2 · 展览: 3.
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