可比销售
同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
Li Zuoxian 李佐賢 [1807–1876]
Gushu 固叔, likely Bao Shizhen 鮑士貞, zi Gushu [1800s]
(N. V. Hammer, New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Li Zuoxian 李佐賢 [1807–1876] Gushu 固叔, likely Bao Shizhen 鮑士貞, zi Gushu [1800s] (N. V. Hammer, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965). Wang Chi-ch'ien, Album Leaves from the Sung and Yuan Dynasties. China House Gallery (organizer) (March 26-May 30, 1970). Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Fans: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 15, 1992-March 7, 1993). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Main Asian Rotation (Gallery 120). The Cleveland Museum of Art, Cleveland, OH (July 13-November 11, 2004).

Martin Johnson Heade (American, 1819–1904) · 1867

Edmond François Aman-Jean (French, 1858–1936) · 1886

Jacob van Hulsdonck (Flemish, 1582–1647) · 1615

艺术家 · 1300

艺术家 · 500
The court artist Li Song from Hangzhou excelled in meticulous depictions of children, peddlers, and their various goods. Here, he captures a dramatic scene of children attacking a snake with a stick and stone. The peddler rushes toward the children, leaving his merchandise unattended. Painted during the reign of emperor Ningzong, the drama unfolding around vulnerable children may allude to Ningzong’s nine sons who died young, leaving him without a direct male descendant.
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 4 · 展览: 7.