可比销售
同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
Huang Lin 黄琳 [active about 1496–1532]
(Yabumoto Shogoro 藪本莊五郎 [20th century], Amagasaki, Hyogo, Japan, sold to the Cleveland Museum o...
The Cleveland Museum of Art, Cleveland, OH
Huang Lin 黄琳 [active about 1496–1532] (Yabumoto Shogoro 藪本莊五郎 [20th century], Amagasaki, Hyogo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1974. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975). Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Ji Yun-Fei: Last Days of Village Wen. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-July 31, 2016). Escaping to a Better World: Eccentrics and Immortals in Chinese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 13-November 6, 2022). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

艺术家 · 1555

艺术家 · 1800

Gerard David (Netherlandish, 1450/60–1523) · 1485

Zhao Yong (Chinese, c. 1289-c. 1362) · 1300

艺术家 · 1275
Xu You, a recluse who refused the throne offered to him by legendary Emperor Yao, chose instead to farm on Mount Ji. Sitting under cliffs, his left arm resting on his risen leg and his loose robe revealing his belly, he displays a nonchalant attitude. Xu You is wearing a laborer’s outfit, a short robe and tight leggings, while his composed pose and gentle features reveal his lofty character.<br><br>The composition shows rising mountains on the left juxtaposed by open space on the far right. Powerful brushstrokes and nuanced ink washes follow the style of the Southern Song (1127–1279) academy painters.
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