可比销售
同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
(Mathias Komor [1909–1984], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(Mathias Komor [1909–1984], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Japanese Decorative Style. The Cleveland Museum of Art (August 30-October 15, 1961); The Art Institute of Chicago, Chicago, IL (November 9-December 17, 1961). Tea Taste in Japanese Art. The Asia Society Museum, New York, NY (organizer) (February 20-April 21, 1963). Rimpa. Japan Society Gallery, New York, NY (organizer) (September 13-November 13, 1971). Rin-pa. Tokyo National Museum, Tokyo, Japan (organizer) (October 10-December 3, 1972). Rimpa Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Rimpa. The National Museum of Modern Art, Tokyo, Tokyo, Japan (organizer) (August 21-October 3, 2004). Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009). Sotatsu: Making Waves. National Museum of Asian Art, Washington, DC (organizer) (October 24, 2015-January 31, 2016). Early Rinpa (Japanese gallery rotation) 235. The Cleveland Museum of Art (organizer) (July 23, 2020-January 17, 2021). Masterpieces of Japanese Art. Dallas Museum of Fine Arts, Dallas, Texas (October 4-November 30, 1969).
Tawaraya Sōtatsu’s painting was inspired by a 1602 Chinese book that featured images of legendary Chinese Buddhist experts and Daoist sages. The monk portrayed here is Niaoge, which literally means “Bird’s Nest.” He was a Zen practitioner who favored the isolation of treetops, from which he offered advice to the perplexed. The posture of the single figure suggests a dialogue with someone below. Sōtatsu was a master of the “boneless” (<em>mokkotsu</em>), or un-outlined, style of ink painting that relies on layered pools of ink wash for effect.
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