可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
The Annunciation
1380s
市场分析
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
艺术家指数—
此作品未关联权利获准的标准化实际销售记录，不显示虚构价格历史。
艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
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来源与流传记录
公开1863-1925
Duke of Anhalt-Dessau, Germany
来源与流传记录
(C. A. de Burlet, Berlin, Germany)
?-1926
(R. Langton Douglas)
1926-1954
Arthur Sachs, New York sold to the Cleveland Museum of Art
1954-
The Cleveland Museum of Art, Cleveland, OH
来源传承文本
Duke of Anhalt-Dessau, Germany (C. A. de Burlet, Berlin, Germany) (R. Langton Douglas) Arthur Sachs, New York sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art可信度 100%
展览
公开来源展览文本
Gothic Art 1360-1440. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 6-September 15, 1963). Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). Treasures of Medieval France. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1966-January 29, 1967). When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 1, 1981-January 17, 1982). Dukes and Angels: Art from the Court of Burgundy (1364-1419). Musée des Beaux-Arts, Dijon, Dijon, France (May 27-September 15, 2004); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24, 2004-January 9, 2005). Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. National Museum of Bavaria, Munich, Germany (May 10-September 16, 2007); J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009). Emperor Charles IV (1316-1378). National Gallery Prague, Prague, Czech Republic (organizer) (May 14-September 25, 2016); Germanisches Nationalmuseum, 90402 Nürnberg, Germany (October 20, 2016-March 5, 2017). Fogg Art Museum, Cambridge, MA (1927). French Painting 1100-1900, Carnegie Institute, Pittsburgh, PA (Oct. 18th-Dec. 2, 1951). La Vierge dans l'art Français, Petit Palais, Paris, France (June 1950). Collection of Arthur Sachs, Santa Barbara Museum of Art, CA (July 22-October 18, 1946). French Art 1200-1900, Royal Academy, London (January-March 1932). French Gothic Art of the 13th to 15th Century, Detroit Institute of Arts, MI (Nov. 16 to Dec. 5, 1928). French Primitives and Objects of Art, Kleinberger Galleries, New York, NY (Oct. 15 - Nov. 12, 1927). Religious Art, Jacques Seligman & Co. Gallery, New York, NY (March-April 1927).
The Cleveland Museum of Art可信度 100%
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有来源的概览 佐证资料
This small but opulent panel painting was once joined to another panel with hinges to form a diptych. Given its small size, its original function was for private devotional use. It could be folded like a book when not in use and was highly portable. The missing panel has not been positively identified but probably represented another biblical scene like the Crucifixion. The painting’s refined and ornate style reflects the courtly aesthetic that appealed to royal and aristocratic patrons in the decades around 1400. On the panel’s richly tooled reverse (not visible) are the arms of the house of Hainault quartered with those of Bavaria. While this coat of arms is certainly that of the work’s patron, probably a member of the united dynasties of Hainault and Bavaria, their identity remains elusive.
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 5 · 展览: 7.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line