Scenes from Essays in Idleness

The Cleveland Museum of Art · Andrew R. and Martha Holden Jennings Fund

Museum

Scenes from Essays in Idleness

late 1700s–early 1800s

艺术家Matsumura Goshun (Japanese, 1752–1811)

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材料与技法: One of a pair of six-panel folding screens; ink and color on paper
尺寸: Image: 146.5 x 330.7 cm (57 11/16 x 130 3/16 in.); Overall: 170.2 x 375.8 cm (67 x 147 15/16 in.)
分类: Painting
风格: ASIAN - Folding screen
来源: Japan, Edo period (1615–1868)
机构: The Cleveland Museum of Art
入账: Andrew R. and Martha Holden Jennings Fund

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公开证据

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艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。

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同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。

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没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。

来源与流传记录

公开

?–1971

(Mathias Komor [1909–1984], New York, NY, sold to the Cleveland Museum of Art)

1971–

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

(Mathias Komor [1909–1984], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%

展览

公开

Byobu: The Art of the Japanese Screen

Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art

Japanese Screens from the Museum and Cleveland Collections

Stories in Japanese Art

来源展览文本

Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1987-January 10, 1988). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). Stories in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 8, 2021-April 3, 2022).

The Cleveland Museum of Art可信度 100%

有来源的概览佐证资料

Matsumura Goshun inscribed passages from Buddhist monk Yoshida Kenkō’s (1283–1350) well-known collection of anecdotes, <em>Essays in Idleness,</em> across the top of the panels of this screen and its pair. Goshun illustrated the narratives with his vision of the figures who feature in them. The texts cascade down from right to left, forming unique compositional relationships with the images below. The episodes offer a veritable portrait of human idiosyncrasy, from one man’s deep faith in radishes to another’s inability to avoid nicknames.

The Cleveland Museum of Art可信度 100%

证据状态

观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 2 · 展览: 4.

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