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同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
(F. Muller, Amsterdam, sale H. I. A Raedt van Oldenbarnevelt et al., November 6 ff., 1900, no. 339 [...
Victor de Stuers (1858-1916, The Hague and Kasteel Wiersse, Vorden, The Netherlands); by descent to...
Mrs. W. E. Gatacre, Jonkvrouwe de Stuers, Kasteel Wiersse, Vorden, Holland
(Christie’s, London, sale Mrs. W. E. Gatacre-Jonkvrouwe de Stuers, November 26, 1965, no. 42 [as by...
(Alan Jacobs Gallery, London)
(Sotheby’s, London, sale December 6, 1972, no. 54 [as by Jacob Duck])
(The Arcade Gallery, London)
(F. Muller, Amsterdam, sale H. I. A Raedt van Oldenbarnevelt et al., November 6 ff., 1900, no. 339 [fl. 280, to Valk]) Victor de Stuers (1858-1916, The Hague and Kasteel Wiersse, Vorden, The Netherlands); by descent to his daughter, Alice Jacqueline Hortense Julie Aurelie de Stuers (1895-1988), wife of W. E. Gatacre Mrs. W. E. Gatacre, Jonkvrouwe de Stuers, Kasteel Wiersse, Vorden, Holland (Christie’s, London, sale Mrs. W. E. Gatacre-Jonkvrouwe de Stuers, November 26, 1965, no. 42 [as by Hendrik Gerritsz Pot; 600 Gns., to Sokolow]) (Alan Jacobs Gallery, London) (Sotheby’s, London, sale December 6, 1972, no. 54 [as by Jacob Duck]) (The Arcade Gallery, London) Mr. and Mrs. Noah L. Butkin, Cleveland, by gift to the Cleveland Museum of Art, 1975.
Year in Review: 1975. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 3-March 7, 1976). A Winter Exhibition of Dutch XVIIth Century Masters. Alan Jacobs Gallery, London, 1971.

Frans Hals (Dutch, c. 1581–1666) · 1634

艺术家 · 1585

Gion Seitoku (Japanese, active late 1700s–early 1800s) · 1800

Chaïm Soutine (Russian, 1893–1943) · 1923

Bishandas (Indian) · 1622
The colorful, exotic garments worn by the woman at the right demonstrate Jacob Duck’s skill in painting luxurious surfaces: she is Salome, daughter of Herodias. According to the New Testament, Herodias bore a grudge against John the Baptist, who condemned her marriage to Herod, ruler of Galilee and Perea. At a celebration dinner, Salome so charmed Herod with her dancing that he offered her anything she desired—and Herodias convinced Salome to demand John the Baptist’s head. Rather than depicting the actual execution, Duck focused on the executioner’s muscled physique as he departs the scene, turning to look at the viewer after having presented Salome with John’s severed head.
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