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Portrait of Priest Dazhi (1048–1116), Master of Law
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund
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Portrait of Priest Dazhi (1048–1116), Master of Law

1100s
Liu Tao (Chinese, late 1000s–early  1100s) visual detail
艺术家Liu Tao (Chinese, late 1000s–early 1100s)
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来源与流传记录

公开
before 1974

Muto Collection

?–1974

(Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art)

1974–

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

Muto Collection (Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%

展览

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来源展览文本

Year in Review: 1974. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975). Sources of Japanese Buddhist Art. Nara National Museum, Nara 630, Japan (organizer) (April 29-June 10, 1978). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Nihon bukkyo bijutsu no genryū [Sources of Japanese Buddhist art = 日本仏敎美術の源流]. Nara National Museum, Nara, Japan (April 29-June 11,1978). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).

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Monk Yuanzhao, with the honorific title Dazhi Lüshi, Great Wisdom Master of Vinaya, is depicted here as an itinerant monk, holding his alms bowl in the left and staff in the right. In 1142, Emperor Gaozong had bestowed Yuanzhao with a posthumous title, mentioned in the inscription, which suggests that the portrait was made after the master’s death. A master of the Lü sect of Buddhism, with a calm benevolent smile on his face, Yuanzhao was active on Mount Tiantai and in Hangzhou. Later, Liu Tao, a southerner from Changxing, added the inscription. <br><br>The eulogy reads: <br><em>Dignified he is, perfect in his upasampada [ordination of a monk]. His appearance is like his mind. Uncompromising and aloof. His mind is like his appearance. To say he is square, he proves to be round. He looks timid, yet his spirit is unbound. Having no attachment, and holding no reins, men and deities alike take refuge in him</em>. —translated by Wai-Kam Ho

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观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 3 · 展览: 7.

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