可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
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The Cleveland Museum of Art · Purchase from the J. H. Wade Fund
Museum
One Hundred Children at Play
1100s–1200s
市场分析
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最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
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艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
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来源与流传记录
公开?–1961
C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art
1961–
The Cleveland Museum of Art, Cleveland, OH
来源传承文本
C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art可信度 100%
展览
公开来源展览文本
The Art of Southern Sung China. The Asia Society Museum, New York, NY (organizer) (February 15-April 15, 1962). Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Man and His World. Expo 67, Montreal, Canada (organizer) (April 27-October 28, 1967). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). China through the Magnifying Glass: Masterpieces in Miniature and Detail. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 11, 2022-February 26, 2023). Creation, Birth, and Rebirth. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 17, 2024-July 16, 2025). Album leaves from the Sung and Yuan dynasties. China House Gallery, New York, NY (March 26-May 30, 1970). Main Asian Rotation (Gallery 120). The Cleveland Museum of Art, Cleveland, OH (July 13-November 11, 2004).
The Cleveland Museum of Art可信度 100%
相关公开作品
浏览目录 →视觉近邻
有来源的概览 佐证资料
Paintings on the “one hundred children” theme usually have numerous, if not exactly 100, children. A majority of the children here imitate the dress, manners, and activities of the adult world. Whatever the exact significance of the subject, the painter of this album leaf clearly intended it to be savored figure by figure. With seemingly inexhaustible invention, the artist characterized each performer in the colorful pageant with unique accoutrements and action. The avoidance of overlapping allows each figure to be seen in clear detail, while all the figures are organized into a coherent composition. Garden settings with decorative rocks, blossoming shrubs, graceful willows, and lotus ponds had become fairly standard environments for late 12th- to 13th-century scenes of palace ladies as well as of playing children.
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 2 · 展览: 7.
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