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Leaf from the Late Shah Jahan Album: Harem Night-Bathing Scene (recto); Calligraphy Framed by an Ornamental Border of Flowers and Birds (verso)
The Cleveland Museum of Art · Gift of Mr. and Mrs. Alton W. Whitehouse
Museum

Leaf from the Late Shah Jahan Album: Harem Night-Bathing Scene (recto); Calligraphy Framed by an Ornamental Border of Flowers and Birds (verso)

c. 1650

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来源与流传记录

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1987–

The Cleveland Museum of Art, Cleveland, OH

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The Cleveland Museum of Art, Cleveland, OH

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展览

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来源展览文本

The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (February 4-August 5, 2003). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 18, 2004-May 23, 2005). Main Gallery Rotation (gallery 245). The Cleveland Museum of Art, Cleveland, OH (April 28-November 2, 2015).

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有来源的概览 佐证资料

The subject of women bathing persisted throughout the 1500s and into the 1600s. Akbar’s grandson Shah Jahan—the Mughal emperor who built the Taj Mahal—continued to support the work of artists in the imperial atelier. His taste was more formal and subdued, without as much interest in illuminations of fantastic tales. This scene is a single painting mounted in an album. The white marble terraces glow under the moonlight. An attendant carrying a cloth over one arm looks on with awe at the beauty of the scene. He is probably a eunuch, since men were not permitted to serve in the women’s quarters of a Mughal palace.

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