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Krishna’s longing for Radha, from a Gita Govinda (Song of the Cowherd) of Jayadeva
The Cleveland Museum of Art · Bequest of Mrs. Severance A. Millikin
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Krishna’s longing for Radha, from a Gita Govinda (Song of the Cowherd) of Jayadeva

c. 1820–25

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来源与流传记录

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Raja of Lambagraon

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(Mr. B. R. Sharma, New Delhi, India)

?–1989

Severance A. [1895–1985] and Greta [Marguerite Steckerl] Millikin [1903–1989], Cleveland, OH, given...

1989–

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

Raja of Lambagraon (Mr. B. R. Sharma, New Delhi, India) Severance A. [1895–1985] and Greta [Marguerite Steckerl] Millikin [1903–1989], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

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来源展览文本

The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Artlens Exhibition 2017. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 24, 2017-May 29, 2019). Supernatural Love - Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (April 1-September 9, 2019). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (February 4-August 5, 2003). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (February 20-August 18, 2004).

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In the lush forests on the banks of India’s Yamuna River, the youthful god Krishna waits to rendezvous with his beloved Radha. The artist has rendered his impatience by showing seven Krishnas, in various attitudes of anxious waiting, as though seeing him over a period of time. Meanwhile Radha, dressed in yellow at top right, confers seemingly endlessly with her confidante, as she tries to decide whether she should meet Krishna for the illicit tryst—she is already married and Krishna is prone to flirting with other girls. This scene is a metaphor for how god waits for us to come to him, while the human devotee frets about the bonds of social norms.

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