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同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。
Mrs. Liberty E. Holden, Cleveland. Holden Collection, 1914, by gift to the Cleveland Museum of Art,...
Mrs. Liberty E. Holden, Cleveland. Holden Collection, 1914, by gift to the Cleveland Museum of Art, 1916.
Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). Seventeenth Century Dutch Painting. The Cleveland Museum of Art (organizer) (February 18-June 8, 1959). Baroque Imagery. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 1984-January 6, 1985). The Magic of Still Life. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 1986-February 1, 1987). Cleveland, November 6, 1984-January 6, 1985 "Baroque Imagery,' cat. # 36. CMA, October 21, 1986-March 8, 1987: The Magic of Still-Life, Gallery A. no cat.

艺术家 · 1300

Jean-Siméon Chardin (French, 1699–1779) · 1729

Paul Cezanne (French, 1839–1906) · 1890
![The Ninth Day Literary Gathering at Xing’an [Temporary Retreat]](https://relict.cloud/storage/delivery/f6eddd3655acfd0c1c545402fa0bd77f0b3dda0d436e6ba352144ab6a5add6e6/1263.webp)
Fang Shishu (Chinese, 1693–1751) · 1743

Jacob van Ruisdael (Dutch, 1628/29–1682) · 1660
This striking painting of fish and game has yet to be attributed to a specific artist. Art historians have considered Dutch, Spanish, or Italian artists as possibilities, including the Dutch still-life and animal specialist Frans Snyders and the Spanish artist Alejandro de Loarte. But both have been rejected on stylistic grounds. An Italian artist is more plausible; the vaguely rendered, reddish background and the fluid handling of paint, especially in the portrayal of the fish, are characteristic of an Italian hand. The composition, which emphasizes the space between the creatures with strong highlights and deep shadows, also points to an Italian artist, possibly from a Northern Italian city such as Genoa.
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