Flowers and Grasses

The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund

Museum

Flowers and Grasses

mid-1600s

艺术家Kitagawa Sōsetsu (Japanese, active 1639–50)

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材料与技法: Pair of six-panel folding screens; ink and color on paper
尺寸: Image: 153.7 x 329.2 cm (60 1/2 x 129 5/8 in.)
分类: Painting
风格: ASIAN - Folding screen
来源: Japan, Edo period (1615–1868)
机构: The Cleveland Museum of Art
入账: Leonard C. Hanna Jr. Fund

市场分析

实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。

公开证据

最后已知价格—0 matched observed sales

观察中位数—

观察到的销售0

艺术家指数—

此作品未关联权利获准的标准化实际销售记录，不显示虚构价格历史。

艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。

可比销售

同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。

按证据排序

没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。

来源与流传记录

公开

?–1968

(N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art)

1968–

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

(N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%

展览

公开

Year in Review for 1968

Byobu: The Art of the Japanese Screen

Japanese Screens from the Museum and Cleveland Collections

Rimpa

Rimpa Painting

Early Rinpa (Japanese gallery rotation) 235

来源展览文本

Year in Review for 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969). Rimpa. Japan Society Gallery, New York, NY (organizer) (September 13-November 13, 1971). Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Rimpa Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Early Rinpa (Japanese gallery rotation) 235. The Cleveland Museum of Art (organizer) (July 23, 2020-January 17, 2021). Main Asian Rotation (Gallery 121). The Cleveland Museum of Art, Cleveland, OH (March 10-July 16, 2003).

The Cleveland Museum of Art可信度 100%

有来源的概览佐证资料

Kitagawa Sōsetsu painted for the Maeda family, powerful rulers of what is present-day Ishikawa Prefecture on the central northern coast of Honshū, Japan’s main island. Screens served as room dividers and backdrops in Maeda grand residences. This composition is considered one of the artist’s masterpieces. Kitagawa Sōsetsu is thought to have been a student of Tawaraya Sōsetsu, who was in turn the student of Tawaraya Sōtatsu the Kyoto-based master painter regarded as the creator of the style that came to be known as Rinpa. By selecting a painter of this lineage, the Maeda family consciously connected their aesthetics to those of the imperial capital as a means of proclaiming their elevated status.

The Cleveland Museum of Art可信度 100%

证据状态

观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 2 · 展览: 6.

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